fzdbsjw_如何学播音

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fzdbsjw，如何学播音？

对于很多热爱播音的人来说，学习播音不仅能让人具备更好的表达能力、思考能力、沟通能力、组织协调以及领导能力，而且学得好，可以实现当播音主持的梦想。那么如何学播音呢？

什么是播音

播音定义

播音的定义有广义和狭义的区分。

广义：指电台、电视台等电子传媒所进行的一切有关声音语言和副语言传播信息的活动。

狭义：播音员和节目主持人运用有声语言和副语言，通过广播电视传媒进行传播信息的创作。

播音的要求

发音正确,吐字正确。

用标准的普通话播读，特别要注意多音多义字，古诗文中特别要注意按意定音。不添字不少字不读破句，朗读清晰完整。

语速适当,用心感受

要抓住文章特点，使节奏流利和谐，缓急结合。

语调生动,轻重适宜

根据需要，分出轻重缓急，分清抑扬顿挫，表达出文章的思想感情。

播音学习技巧

对播音员而言，具备良好的语言表达能力犹如进入这一行的钥匙，假如无法打开这道门，就无法担任播音主持的工作。想要具备娴熟的语言表达能力、专业化的播音能力，就需播音员通过长时间努力练习及不断探索

普通话标准

普通话标准是播音主持上岗的基本条件，如何达到普通话标准呢？主要可以从以下几个方面着手。

声母

声母包含b、p、m、f、d、t、n、l、g、k、h、j、q、x、z、c、s、zh、ch、shi、r

声母按发音部位的分7类：

1、双唇阻:上唇与下唇成阻。下唇向上运动与上唇接触，双唇闭拢成阻。双唇阻声母有b、p、m。

2、唇齿阻:上门齿与下唇成阻。上唇稍抬，稍露出上齿，下唇向上，唇缘线与上门齿靠拢、接触成阻。唇齿阻声母有f。

3、舌尖前阻:舌尖与上门齿背成阻。舌尖平伸，与上门齿背接触或接近成阻。舌尖前阻声母有z、c、s。

4、舌尖中阻:舌尖与上门齿龈成阻。舌尖向前上方抬起与上门齿龈接触、抵住成阻。舌尖中阻声母有d、t、n、l。

5、舌尖后阻:舌尖与前硬腭成阻。舌体稍向后缩，舌尖向上方翘起，与硬腭前部接触或接近成阻。舌尖后阻声母有zh、ch、sh、r。

6、舌面阻:舌面前部与硬腭前部成阻。舌尖向下前伸抵住下齿背，舌面向上抬起，接触或接近硬腭前部成阻。舌面阻声母有j、q、x。

7、舌根阻:舌根与硬腭软腭交界处成阻。舌体后缩，舌根隆起与硬腭和软腭交界处接触或接近成阻。舌根阻声母有g、k、h。

韵母

按汉语语音学的传统分析方法，把汉语音节中声母以后的部分叫韵母。韵母由单元音或复合音充当，普通话中有39个别韵母。

1、10个单韵母：a、o、e、ê、i、u、ü、-i（前）、-i（后）、er

2、13个复韵母：ai、ei、ao、ou、ia、ie、ua、uo、üe、iao、iou、uai、uei

3、16个鼻韵母8前8后：an、en、in、ün、ian、uan、üan、uen、

ang、eng、ing、ong、iong、iang、uang、ueng

调值

声调是汉语音节结构中不可缺少的成分，它同声母、韵母一样，有区别意义的作用。

调值是指音节声调的相对音高。调值通常采用“五度标记法”记录，用一条竖线表示声音的高低，从下面最低点到最高点共分为五度，分别用1、2、3、4、5依次表示。

普通话各类声调的调值为：

阴平：高平调，55

阳平：高升调，35

上声：降升调，214

去声：全降调，51

练习方法

1、练习绕口令

通过绕口令练习，可以提高口语能力，把握住文字发音音准，学好拼音字母，掌握发音部位，反复进行训练，让自己普通话的发音准确度更高。

2、制定训练计划

要有计划的进行普通话训练，了解自己的基础，制定合理的计划，规定每天的练习量，以周为单位，在不断训练中查找不足，并不断提升。

3、掌握训练要领

坚持用普通话进行日常会话，可以读一些报纸上的文章，或者拿出词典，多多进行发音练习，提高发音准度。

气息控制

气息控制是播音从业人员需要达到的最基本要求。

播音发声气息的要求

一、持久的气息控制能力

气息控制是作为一个播音员的基本的条件，如果播音员播一篇长篇的稿件时要求声音由始至终保持一定力度，不减不衰，从容不迫，这就要求对气息有持久的控制能力。

二、气息控制要有稳劲儿

播音员要根据节目内容的要求调节气息压力，该强就强、该弱就弱，吸气量要大于日常说话，呼气时要保持较为稳定的压力，调节自如。

三、能做到快吸慢呼，并能根据需要及时补气

播音语言，一般句子长度比口语长，结构比较复杂，间歇比口语少而短。要把每个句子播得完整而有层次，就需要按照句子结构用气，绝不能因气不够用而停下来吸气，要求播音员呼气的持续时间要尽量长，而且要掌握在句子进行中补气、偷气的技巧。

四、做到短时间无声吸气

即要求播音员能作较长时间的呼气及保持一定的气息压力，吸气量就必须比平常大一些，吸气速度快一些，播音员依靠话筒传声，话筒灵敏度高，很容易混入吸气的杂音。而吸气杂音多，会给人不从容的感觉，甚至会使人厌烦。因而，播音员必须学会在短时间内吸气无声。

五、呼气时要注意的两点

1、尽量保持两助张开支撑感(实际仍会塌下收回一些)。

2、着重体会，在这种呼吸肌的配合中、靠腹肌收缩往外送气流的感觉。这一步练习主要体会胸腹联合式呼吸方式中，腹肌参与吸气、呼气控制、特别是收腹呼气的感觉。随着呼吸控制能力及隔肌与腹肌配合能力的增强，吸气量可加大到八、九成满，只需注意呼气时，仍不要有明显地“扼喉”感。

播音发声气息控制具体实施方法

没有气息，声带不能颤动发声。但只是声带发出声音是不够的。想要嗓音富于弹性、耐久，需要的是源源不断供给声带气流。

一、胸腹联合呼吸法

吸气后两肋扩大，横膈膜下降，小腹微收。胸腹联合呼吸法是朗读时应该掌握的方法。这种呼吸活动范围大、伸缩性强，可以使气息均匀平衡。理想的状态是做到“吸气一大片、呼气一条线；气断情不断，声断意不断”。

练习方法：

1、慢吸慢呼，双目平视前方、头正、肩放松，像在旷野呼吸花香一样，慢慢吸足气。要感觉到腰腹之间充气膨胀，气入丹田，但是要收小腹，保持几秒后，轻缓呼出。

可以在呼气的时候加入以下练习：呼气时练习xiao lan（拼音小兰），一声声渐渐远去，或者数数1、2、3、4……，嘴上用力，发音之间不要闭住声门，不要跑气换气，数得越多越好。

2、快吸慢呼，快速短促地吸气，并保持气息，呼气时缓缓呼出，配合声音，平稳均匀。

呼气时，可以通过以下发声练习：巴、拔、把、爸、低、答、底、大。

换气时，可以进行以下练习：广场上，红旗飘，看你能数多少旗，一面旗、两面旗、三面旗、四面、五面旗……，相声小品里的“数来宝”经常用这个形式，大家可以观察演员的呼吸。

二、强控制练习

要求气要吸得深并保持一定量，呼气要均匀、通畅、灵活。强控制练习需要一点声乐练习知识，在这里不好介绍。大家可以回想：《智取威虎山》里杨子荣喝酒唱歌那一段，最后结尾有个“啊—哈、哈、哈、哈哈哈……”基本的感觉就是这样。要体会膈肌和腹肌的作用，发声的时候气息是应该下沉的。

参考练习诗词：岳飞《满江红》、毛泽东《忆秦娥·娄山关》、陈然《我的“自白”书》，新闻联播播音员在播报简讯的时候，一般都用强控制。

三、弱控制练习

1、吸气深呼气匀。缓慢持续地发出ai、uai、uang、iang四个音。

2、夸大声调，延长发音，控制气息。花红柳绿H—ua、H—ong、L—iu、L—v（发音时，声母和韵母之间气息拉长，要均匀、不断气）。

3、通过夸大连续，控制气息，扩展音域。

参考练习诗词：李白《静夜思》、孟浩然《春晓》等。气息控制训练可以把握“深（吸得深）、匀（呼得匀）、通（气通畅）、活（用灵活）”四字方针，注意气息和内容的结合。单纯的语音、气息训练效果并不好，需要大家在实际朗读过程中不断体会、运用。

共鸣控制

共鸣对于播音发声的重要性体现在播音是以言语发声的过程，要想声音圆润集中，需要改变共鸣条件。

共鸣控制要领

根据解剖学原理，共鸣器官能够受控并随意活动的是软腭、咽部和舌部，共鸣控制主要关注这三部门肌肉的活动组成结果。

1、提起颧肌

颧肌稍带紧张感，使该部位肌肉向外上方稍稍提起，这就是提颧肌。提颧肌能使我们的发音更清晰、明亮。

2、打开牙

指双侧上后槽牙保持向上提起的感觉。这样就加大了口腔开度丰富了共鸣。考生可以用含有“Q”的音节来做夸张的练习，将会取得明显效果。

3、放松下巴

下巴紧张会导致舌根和喉头的紧张，进而导致发声吃力，声音也将发紧，有意的放松下巴就会使我们的发声吐字更加自如。

共鸣分类及训练

1、口腔共鸣：口腔共鸣的获得是要在发音时，口腔自然上下打开，笑肌微提，下腭自然放下稍后拉，上腭有上提的感觉。口腔共鸣发声最主要的一点，是发声的时候鼻咽要关闭，不产生鼻泄露。

通过下列练习大家可以体会一下，基本都是以开口元音为主练习：ba、da、ga、pa、ta、ka、peng、pa、pi、pu、pai。普通话的四个声调，准确的叫法是第一声—阴平，第二声—阳平，第三声—上声，第四声—去声。我们在进行声音训练的时候，多用阴平声调进行，这样有利于体会声音和气息。

词组练习：澎湃、冰雹、拍照、平静、批评，哗啦啦、噼啪啪、咣啷啷、扑嗵嗵、胡噜噜、快乐、宣纸、挫折、菊花、捐助、吹捧。

绕口令：山上五株树，架上五壶醋，林中五只鹿，柜中五条裤，伐了山上树，取下架上醋，捉住林中鹿，拿出柜中裤。

2、鼻腔共鸣：鼻腔共鸣是声波在鼻骨上的振动，即将声音的焦点定位在鼻腔。

鼻腔共鸣是通过软腭来实现的，标准的鼻辅音m，n和ng就是这样发声的。有人觉得鼻音重显得声音好听、有厚度，但是过多的鼻音有如感冒，是不好的。发a、i、u的音，加点鼻腔共鸣体会，加鼻辅音ma、mi、mu、na、ni、nu。

词组练习：妈妈、光芒、中央、接纳、头脑。

蓝蓝的天上白云飘，白云下面马儿跑，挥动鞭儿响四方，百鸟齐飞翔。

3、胸腔共鸣：是指声带振动激起气管内空气柱振动而传送到肺再扩及整个胸腔引起共振产生的整个共鸣包括横隔膜以上至气管顶端的整个脑区。

胸腔的空间及共鸣能量大，发出的声音有深度和宽度，声音更浑厚、宽广。“a”元音直上、直下、滑动练习。词组练习：百炼成钢、翻江倒海、追悔莫及。

小柳树满地栽，金花谢，银花开。

声音的弹性

声音弹性，是指播音时声音形式对不同播讲内容和形式的适应能力。声音弹性包括声音的高与低、强与弱、实与虚、明与暗、刚与柔、厚与薄、纵与收等多层次对比变化。

声音弹性的特点

1、可变性，不同语调和情感。

2、对比性，有起有伏。

3、复合性，不会单独存在，是多种结合的，如虚低，高实。

声音弹性训练方法

1、虚实练习

虚实练声方法是：吸一口气，然后屏住呼吸，让声门保持在闭合状态，开始发音，此时声音是响亮的实声。然后逐渐打开声门，声音由明亮到柔和的音色变化，这个时候注意体会喉咙的感觉，刚柔、厚薄、明暗等变化。

2、高低声练习

a、i、u由低音向上滑动，再从高音向下滑动。

这个练习主要可以锻炼自己对于音色的精细识别能力和控制能力，可以在自己不断的练习中感受。可以进行不同音高的朗读练习。用一句话，或一首诗，变化着不同的音高来进行练习。

如：“飞流直下三千尺，疑是银河落九天。”

先用习惯音高朗读一遍，然后逐渐降低音调朗读，读到不太能胜任的音高时又逐渐提高音调读，也是读到自己还能胜任的最高音为止。

3、强弱练习

远距离对话练习，练习时随时改变距离。

甲：喂—，喂—，小芳—

乙：嗳—

甲：快—来—啊—

乙：怎么了—呀—

甲：一起去看—电—影—吧

乙：好—啊！

夸张声音练习法：注意加大运动幅度，用丹田气发声。

快板是最明显的例子，想象说快板的演员发声的状态，自己找一段快板试试，体会声音的弹性。

4、练唱音阶法

声音音高与声带张力成正比例。

如果想提高音高，就须加强声带张力。反之则减弱。所以，进行音高的变化练习能有效地发展和增强声带伸缩变化的控制能力。

其中最有效的练习办法是利用钢琴来练唱音阶，在自己力所能及的音域内半度半度地下降，半度半度地上升，进行反复练习。没有条件的则可借鉴京剧演员喊嗓子的练声法，做绕音练习，从基础音开始，逐渐地向高、低音两头扩展。

发音中的情声气

语言是传递信息和交流思想情感的工具，存在于人际交流的有声语言情感，语声和气息是一个系统中的几个方面。

情:是指在播音过程中播音员服务于播，讲目的由具体稿件或者话题引发，并由有声语言表达出来，始终运动着情感情，情我们进行播音创作的依据。

声:声是播音员依据稿件或话题，使发声器官运用播音技巧所发出的表达思想情感包含大量信息，并通过电声设备进行传播，经过科学训练的规范化艺术化的有声语言。

气：气指的是在播音过程中未时有声，语言传情达意，播音员所控制自如使用胸腹式联合呼吸法所获得的发生动力。

情声气要求

1、情感需要具备最丰富的并能随时调动起来的思想情感，一方面播音员节目主持人要不断的加强自己的修养，锻炼和培养自己的政治艺术素养，使自己具备宽广的胸怀、纯真的情操、美好的憧憬、深邃的境界、蓬勃的志趣、灵动的活力等等，另一方面调动起来的运动者的思想情感一定要服从于稿件或话题的界定，服务于播讲目的。

2、对声音的要求是要能够充分的表达各类不同稿件所确定的不同层次，不同色彩的情感，能清晰明确的传递稿件所载有的所有信息，并具有各自声音形象特点。

3、播音发声对气息的要求是能符合播音员进行播音创作的要求，有一定力度呼吸控制自如完美的配合发声的气息。

总之，情感要取其高声音要取其中气息，要取其深以达到自整，腔圆清晰持久，刚柔自如声情并茂的境地。

发声练习常见的问题及矫正方法

虚声过多

主要表现：声音不实在，有些无力，没有足够的亮度和响度。

矫正方法：虚声过多的学生，要注意锻炼唇舌的力度，练习一些响亮实在的词语和绕口令，如“百步穿杨”“中国伟大”等力度较大的词组，以及绕口令《八百标兵》《白庙和白猫》等。新闻播音当中，基本以实声为主，一般不出现虚声，而且换气声不要太大。

声音过于靠后

主要表现：声音沉重，不明亮。发声过程中也容易疲劳和不适。

矫正方法：注意“两头紧中间松”，口腔和小腹加强控制，喉部保持松弛。舌根要灵活，不要太生硬。注意与口腔共鸣的调节方法相结合。

鼻音偏重

主要表现：声音暗淡，不响亮，影响语言的清晰度。

矫正方法：注意软腭挺起，牙关打开，减少过多的气流经过鼻腔。克服口腔、双唇的无力状态，保持积极的播音状态，不可过于懒散。

声音分散

主要表现：声音不集中，不饱满，冲击力不强。

矫正方法：在发声的时候注意嘴唇中间三分之一部分用力，力量不可过于分散。注意气流冲击硬腭前端，也就是我们说的声挂硬腭，使声音更集中，更有冲击力。

缺乏弹性

主要表现：声音缺乏变化，没有抑扬顿挫的对比。

矫正方法：加强对比训练，包括高与低，快与慢的对比训练等。高与低的训练，可以练习声音的爬高与降低。比如“伟大的祖国，伟大的人民”这句话，可以先逐渐升高地说，然后再逐级下降地说，体会声音的高低变化，丰富声音的层次。快与慢的训练，可以用不同速度来说一句话。比如“班干部不管班干部”这句话，可以分别用快速和慢速来练习，体会快与慢的变化。声音弹性的获得还需要情感的支撑，加强情声气结合。

日常学习方法

朗读朗诵

读书，大声读书。天天坚持朗读文章，既训练咬字敏捷清楚，又能掌握更多文学常识，更关键的是对播音大有益处，清喉扩胸，纳乾坤之气，成皓然之身。需要多读相关著作文章，每日坚持朗读三十分钟以上。

录像练习

倘若时间需要，每过一阵子，把声音和演讲内容进行视频拍摄，接着反复观看，探讨哪里存在问题导致卡壳，姿势和神情是否不自然，久而久之，口才以及心态表现都会有明显进步。

速读

找来一则演说稿或一则其辞优美散文片段。先把原文中不明白的字、词弄明白，接着开始朗读。通常刚开始朗读速率比较慢，之后逐次逐次加快，直到你能够做到的最快速率。朗读过程中不可以有间断，读音要准确无误，咬字要清楚，要尽可能保证发音的完整。速读一定要建立在咬字清楚、读音干净整齐的前提上。大伙儿都有听过体育频道的解说员的解说，他们的解说就让人有快而不乱的感觉，每个字、每个音都发得十分清楚，没有含混不清的地方。播音希望做到的快也就是这种快，咬字清楚，而不是只为快而快。

即兴读物

日常余暇时，随意拿张旧报纸，随机翻到一段话，接着一鼓作气读下来。在朗读过程中，尽量控制上半句看稿子，下半句离开稿子看前面(假设前面有听众)。长此以往能加强记忆力，提高理解和即兴构思能力。

转述法

转述法就是把他人说的话重新地讲述一次。需要找一位伙伴一同进行。第一步，请另一方随便讲一个话题，亦或是故事。自己需注意聆听。然后再向另一方转述一次。练习在于训练语言的衔接性、实地临场发挥能力以及语言表达组织能力。倘若能面对观众转述就更佳，还能够训练你的胆量，摆脱焦虑不安心理。

模仿

大多数人自小便会模仿父母或大人说话。实际上模仿的过程也是一种学习。儿时学讲话是向父母及身边人学习。那么，练习口才同样也可以利用模仿法，对有相关专场的人模仿，如电视主持。久而久之，口语表达能力也会有所提高。

①模仿特定个人。生活上找一位语言表达能力强的人，请他讲些精彩说话，拍摄下来，供你进行模仿。也可以把你喜欢又适合模仿的主播、艺人、相声家等的表演记录下来进行模仿。

嗓音的保护

科学练声

1、练声过程必须按照：“以情带声、以声传情、以情运气、气随情动；以情用声、声随情变；声情并茂、传情达意”的要求来进行。

2、在练习时，要注意发“暖声”，状态应该积极热情，面部呈“似微笑”状。同时还应该把握住练声的顺序，那就是—声音由小到大、由弱渐强、由低至高、由近及远、由实转虚、由短到长、由柔到刚。有些人在用声时喉部负担过重，有的胸口僵硬、气息沉不下来，还有的人声音过刚过直等等，这类要尽快改掉毛病，掌握科学的发声方法，通过大量练习完成量变到质变的过程。

3、避免超时超量超负荷运作，一般来说，晨练控制在20分钟至半小时为宜，主要目的是把嗓子练开、练舒服，切不可盲目加大嗓音运动量。在嗓音疲劳的时候，可以用气泡音来帮助消除疲劳。气泡音是弱气流冲击声带，声带在压力最自然的状态下发出的音，是一种很好的声带保健方法。

它的具体做法是这样的，喉要放松，喉结处于适中的位置，气吸到五到七成，发出比较明亮的颗粒性比较强的气泡音。最好以“啊”音的延长音作为练习材料【a----------】【a----------】【a-------------】。如果一时发不好，可以反复做几次伸舌的动作，把舌头用力地向外伸，张大口，这样可以起到调节喉结紧张度的作用。在喉部松弛的情况下再来发音。气泡音在练声前发可以起到活动开声带的作用，在练声后发能起到保健按摩的作用。在练声前后常做此练习可以有效的提高发声的效率。

日常注意事项

1、根据自身的嗓音条件，扬长避短、量力而行、循序渐进、持之以恒。一般来说，只要方法科学，练习得法，好嗓子是可以练出来的。

2、增强体育锻炼。发音器官健康与否，很大程度上取决于身体的健康状况。对于播音员主持人以及其他学习者来说，适当的增强耐力性的体育锻炼，例如跑步等等，能有效地提高我们呼吸肌肉群对于气息的控制力，从而大大提高发声的效率。

3、睡眠要充足，睡眠不足会引起声带充血、喉肌疲劳，致使声音黯淡嘶哑。

4、养成良好的生活习惯、饮食习惯。要避免烟酒刺激，抽烟会使声带粘膜干燥、充血、肥厚，使喉下分泌物增多，从而引起声音变低、音色昏暗沙哑等等。饮酒除了辛辣对喉部的直接刺激以外，还会使大脑以及发声器官功能失调。进行嗓音工作前半小时最好不要吃油腻的食品，否则容易造成嗓子不清爽、发粘。

5、女生例假期间，不要高声练习，最好少用嗓，因为这期间往往伴随声带充血、水肿，如果高声练习，容易产生声带小结。这时可以做些无声练习，例如唇舌力量、口腔开合度以及气息训练等等。

6、剧烈运动后不宜喝冷饮。人在运动时，声带处于发热充血状态。这时如果喝冷饮，声带遇冷会不正常收缩，长此以往，容易引起声带的病变。

总之，好的嗓子是按照科学的方法，经过严格的训练得来的。使用与保护是同时进行的，切不可盲目使用而不去保护，长此以往，声音变坏，甚至患严重喉疾病，被迫离开播音主持岗位，就很可惜了。

心理素质的培养

1、播音主持人在紧张的压力下会出现一系列相应的系统变化，如声带绷紧导致声音变高、变窄、声音抖动，呼吸急促导致气浅气浮；身体姿势和动作会发生变化，协作变得不自然，笨拙甚至僵硬；思维也会变得混乱等。

2、良好的心理素质是播音主持人需要具备的职业素养之一。在播音前，首先要克服紧张的情绪。紧张的情绪很多时候是自信心不足造成的，要增强自信心就需要播音主持人对节目的全过程有总体的把握，同时对可能出现的问题要考虑周全，设定出应对措施。

3、在发声时，让声音准确、清晰、流畅，富于表现力和感染力的前提是优秀的心理素质。充足的自信心可以鼓舞士气，使身心处于亢奋状态，促使大脑的积极思考，反应敏捷。

学习途径

大学

在播音领域排名第一的是中国传媒大学，其次是浙江传媒大学，如果有志于学习播音的同学，可以以上面两所学校，作为自己的目标。

校外的实体学校

因为播音方面的学习，不像英语班或者学生学习的补习班那样的普及，这方面的学校一个省也就那么几个吧，不是太多的，非常的稀少，而这方面的市场需求又很大，所以这一块学习的相关支出是非常大的。

自学

自学播音主持是可以的，但是比较难，需要找对方法并认真学习。

%3Chowto_content%3E[{"type":"paragraph","attrs":{"is_abstract":true},"children":[{"type":"text","text":"对于很多热爱播音的人来说，学习播音不仅能让人具备更好的表达能力、思考能力、沟通能力、组织协调以及领导能力，而且学得好，可以实现当播音主持的梦想。那么如何学播音呢？","id":""}],"text":"","id":"doxcnKQ0mCi6QmeCiEVCoSASpSg"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"什么是播音","id":""}],"text":"","id":"doxcn8IQos808SykemqDi6GcUKh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"播音定义","id":""}],"text":"","id":"doxcng8e02Ya0aGosMFKSZ346xe"},{"type":"paragraph","children":[{"type":"text","text":"播音的定义有广义和狭义的区分。","id":""}],"text":"","id":"doxcnm0eIq2kiOeo6w6lSRd6NwM"},{"type":"paragraph","children":[{"type":"text","text":"广义：指电台、电视台等电子传媒所进行的一切有关声音语言和副语言传播信息的活动。","id":""}],"text":"","id":"doxcn48WCsaAiy4gIUVUbJkINTc"},{"type":"paragraph","children":[{"type":"text","text":"狭义：播音员和节目主持人运用有声语言和副语言，通过广播电视传媒进行传播信息的创作。","id":""}],"text":"","id":"doxcnMkcCIoUgOigQeA6kdlw1od"},{"type":"image","attrs":{"height":584,"note":[{"type":"text","text":"播音定义","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/e20e7d8d37804569829ca3dc289c4266","width":1036},"text":"","id":"doxcnmOsCGeEoYkygQFqJ58ebJc"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"doxcno8yaaCGiSieIIJTcnR81ee"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"播音的要求","id":""}],"text":"","id":"doxcn8gAUicKiiYgeMU6mea4gvR"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"发音正确,吐字正确。","id":""}],"text":"","id":"doxcnQyW8M8oKOAcOQh6UIbzoCb"},{"type":"paragraph","children":[{"type":"text","text":"用标准的普通话播读，特别要注意多音多义字，古诗文中特别要注意按意定音。不添字不少字不读破句，朗读清晰完整。","id":""}],"text":"","id":"doxcnG48AuiWgcGaiOSg5eReJ4g"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"语速适当,用心感受","id":""}],"text":"","id":"doxcn48sqQ6QQuMGsKLM1WtQiW6"},{"type":"paragraph","children":[{"type":"text","text":"要抓住文章特点，使节奏流利和谐，缓急结合。","id":""}],"text":"","id":"doxcn8k0UceYa04acJxxeh2K5FT"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"语调生动,轻重适宜","id":""}],"text":"","id":"doxcnmOKoyIC6OO4OYjqTU0yeie"},{"type":"paragraph","children":[{"type":"text","text":"根据需要，分出轻重缓急，分清抑扬顿挫，表达出文章的思想感情。","id":""}],"text":"","id":"doxcnu0MsKoIkCECwo7RXn1VK9b"},{"type":"image","attrs":{"height":450,"note":[{"type":"text","text":"语调生动,轻重适宜","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/2a376655c146424dbb5ccb8fc1381c1f","width":600},"text":"","id":"doxcnEWuQCyewgEawHVyXrWOgE7"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"doxcnCU4aoieqyOaYNHTKq0Qnhu"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"播音学习技巧","id":""}],"text":"","id":"doxcnMGqIaoCqOguoyus43oK0ib"},{"type":"paragraph","children":[{"type":"text","text":"对播音员而言，具备良好的语言表达能力犹如进入这一行的钥匙，假如无法打开这道门，就无法担任播音主持的工作。想要","id":""},{"type":"text","text":"具备娴熟的语言表达能力、专业化的播音能力，就需播音员通过长时间努力练习及不断探索","id":""}],"text":"","id":"doxcnEyOyqEQ6w06UD7S02oUvkq"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"普通话标准","id":""}],"text":"","id":"doxcn4Qi8wiaAOqOo2VIFEvwSrd"},{"type":"paragraph","children":[{"type":"text","text":"普通话标准是播音主持上岗的基本条件，如何达到普通话标准呢？主要可以从以下几个方面着手。","id":""}],"text":"","id":"doxcnsq2s6A00OGuAwf9cS66pXd"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"声母","id":""}],"text":"","id":"doxcnuYse8e4a42yaCwMtn8jqPd"},{"type":"paragraph","children":[{"type":"text","text":"声母包含b、p、m、f、d、t、n、l、g、k、h、j、q、x、z、c、s、zh、ch、shi、r","id":""}],"text":"","id":"doxcnAQsMAwgoyMq687kEaCpoye"},{"type":"paragraph","children":[{"type":"text","text":"声母按发音部位的分7类：","id":""}],"text":"","id":"doxcniuQ2syuUWKGAaWD98guzVb"},{"type":"paragraph","children":[{"type":"text","text":"1、双唇阻:上唇与下唇成阻。下唇向上运动与上唇接触，双唇闭拢成阻。双唇阻声母有b、p、m。","id":""}],"text":"","id":"doxcnaSqWCIoA6wSae4H8sy3hjR"},{"type":"paragraph","children":[{"type":"text","text":"2、唇齿阻:上门齿与下唇成阻。上唇稍抬，稍露出上齿，下唇向上，唇缘线与上门齿靠拢、接触成阻。唇齿阻声母有f。","id":""}],"text":"","id":"doxcnWWcgU068iKcysHNQZEz1ib"},{"type":"paragraph","children":[{"type":"text","text":"3、舌尖前阻:舌尖与上门齿背成阻。舌尖平伸，与上门齿背接触或接近成阻。舌尖前阻声母有z、c、s。","id":""}],"text":"","id":"doxcnMEggASY02SsGK4rdtOCOmf"},{"type":"paragraph","children":[{"type":"text","text":"4、舌尖中阻:舌尖与上门齿龈成阻。舌尖向前上方抬起与上门齿龈接触、抵住成阻。舌尖中阻声母有d、t、n、l。","id":""}],"text":"","id":"doxcnWSGcGwAAMiuEsdrMzC8yEh"},{"type":"paragraph","children":[{"type":"text","text":"5、舌尖后阻:舌尖与前硬腭成阻。舌体稍向后缩，舌尖向上方翘起，与硬腭前部接触或接近成阻。舌尖后阻声母有zh、ch、sh、r。","id":""}],"text":"","id":"doxcnkIyQsuYw4a20CaOiAsIbMb"},{"type":"paragraph","children":[{"type":"text","text":"6、舌面阻:舌面前部与硬腭前部成阻。舌尖向下前伸抵住下齿背，舌面向上抬起，接触或接近硬腭前部成阻。舌面阻声母有j、q、x。","id":""}],"text":"","id":"doxcnqm2CC8ckE62WO42xKGUmDb"},{"type":"paragraph","children":[{"type":"text","text":"7、舌根阻:舌根与硬腭软腭交界处成阻。舌体后缩，舌根隆起与硬腭和软腭交界处接触或接近成阻。舌根阻声母有g、k、h。","id":""}],"text":"","id":"doxcnKUwIC8CCoyYaknQTBP6hJf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"韵母","id":""}],"text":"","id":"doxcniOwEISookeekyUntzscm2d"},{"type":"paragraph","children":[{"type":"text","text":"按汉语语音学的传统分析方法，把汉语音节中声母以后的部分叫韵母。韵母由单元音或复合音充当，普通话中有39个别韵母。","id":""}],"text":"","id":"doxcnG6IuOgmqa6Y068bp5Mab5f"},{"type":"paragraph","children":[{"type":"text","text":"1、10个单韵母：a、o、e、ê、i、u、ü、-i（前）、-i（后）、er","id":""}],"text":"","id":"doxcnQUUUCugmG8i0UUx3QGqmfc"},{"type":"paragraph","children":[{"type":"text","text":"2、13个复韵母：ai、ei、ao、ou、ia、ie、ua、uo、üe、iao、iou、uai、uei","id":""}],"text":"","id":"doxcn22GqeKsko8EK41ykNGsbnh"},{"type":"paragraph","children":[{"type":"text","text":"3、16个鼻韵母8前8后：an、en、in、ün、ian、uan、üan、uen、","id":""}],"text":"","id":"doxcnuqUywGIy0a8MUzVfadKEsh"},{"type":"paragraph","children":[{"type":"text","text":"ang、eng、ing、ong、iong、iang、uang、ueng","id":""}],"text":"","id":"doxcnYEaiOiMqes0ukp8w2M9oTb"},{"type":"image","attrs":{"height":537,"note":[{"type":"text","text":"韵母","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/20cb2f4943434647bd64a1f6060e4a2e","width":720},"text":"","id":"doxcnuEycEq8c06M0oXfPEsSude"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"调值","id":""}],"text":"","id":"doxcnOIKuiEGa8M6ScJ1vNqxWaf"},{"type":"paragraph","children":[{"type":"text","text":"声调是汉语音节结构中不可缺少的成分，它同声母、韵母一样，有区别意义的作用。","id":""}],"text":"","id":"doxcnOuGGCWww6SCE4GaNFMg3Q6"},{"type":"paragraph","children":[{"type":"text","text":"调值是指音节声调的相对音高。调值通常采用“五度标记法”记录，用一条竖线表示声音的高低，从下面最低点到最高点共分为五度，分别用1、2、3、4、5依次表示。","id":""}],"text":"","id":"doxcnOoSyWCeY8482KQ0Bx604vd"},{"type":"paragraph","children":[{"type":"text","text":"普通话各类声调的调值为：","id":""}],"text":"","id":"doxcnickoGMCqm2EIyeqeya43Xf"},{"type":"paragraph","children":[{"type":"text","text":"阴平：高平调，55","id":""}],"text":"","id":"doxcnUGKOw8Igu8gQcQaJKBWFrb"},{"type":"paragraph","children":[{"type":"text","text":"阳平：高升调，35","id":""}],"text":"","id":"doxcnGWaOYeSM0yM2OmWa9prVTg"},{"type":"paragraph","children":[{"type":"text","text":"上声：降升调，214","id":""}],"text":"","id":"doxcnGguGKSWm8EUIsTYKLq9ijf"},{"type":"paragraph","children":[{"type":"text","text":"去声：全降调，51","id":""}],"text":"","id":"doxcn2g2S0sGum20w6xlg07JKKe"},{"type":"image","attrs":{"height":570,"note":[{"type":"text","text":"调值","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/24e822024d284a1891f388f97908f858","width":828},"text":"","id":"doxcnMsQoYYWGaCw4uAPNN73rzb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"练习方法","id":""}],"text":"","id":"doxcnaUeCUciKeKYOkBnha4sR0g"},{"type":"paragraph","children":[{"type":"text","text":"1、练习绕口令","id":""}],"text":"","id":"doxcnss6IiqIu0AmsGSYeqYeich"},{"type":"paragraph","children":[{"type":"text","text":"通过绕口令练习，可以提高口语能力，把握住文字发音音准，学好拼音字母，掌握发音部位，反复进行训练，让自己普通话的发音准确度更高。","id":""}],"text":"","id":"doxcnmycM24CiKY6QsM8Y9yiVhb"},{"type":"paragraph","children":[{"type":"text","text":"2、制定训练计划","id":""}],"text":"","id":"doxcnY40qS2QIow4I8qLOuaoGJb"},{"type":"paragraph","children":[{"type":"text","text":"要有计划的进行普通话训练，了解自己的基础，制定合理的计划，规定每天的练习量，以周为单位，在不断训练中查找不足，并不断提升。","id":""}],"text":"","id":"doxcnMgekkQqUsy8k6g0nPatdof"},{"type":"paragraph","children":[{"type":"text","text":"3、掌握训练要领","id":""}],"text":"","id":"doxcnMs6goemswaAOq2w7rhRe2b"},{"type":"paragraph","children":[{"type":"text","text":"坚持用普通话进行日常会话，可以读一些报纸上的文章，或者拿出词典，多多进行发音练习，提高发音准度。","id":""}],"text":"","id":"doxcneW8MysAam6YicXlVzHoxJc"},{"type":"image","attrs":{"height":300,"note":[{"type":"text","text":"练习方法","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/acc2adaf0ca94163904c39cf31e3eec0","width":500},"text":"","id":"doxcnk6QQgSuCGgEKUPijS7GWlc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"气息控制","id":""}],"text":"","id":"doxcniCKm004WwEqKSEEn5EK87g"},{"type":"paragraph","children":[{"type":"text","text":"气息控制是播音从业人员需要达到的最基本要求。","id":""}],"text":"","id":"doxcnoUgE6AIkOYe4eq6Kpgk4fb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"播音发声气息的要求","id":""}],"text":"","id":"doxcnKg8kMm0YqqeqUbJmXlXLWc"},{"type":"paragraph","children":[{"type":"text","text":"一、持久的气息控制能力","id":""}],"text":"","id":"doxcnOiu4EEIwY6ko6VBsNqpe67"},{"type":"paragraph","children":[{"type":"text","text":"气息控制是作为一个播音员的基本的条件，如果播音员播一篇长篇的稿件时要求声音由始至终保持一定力度，不减不衰，从容不迫，这就要求对气息有持久的控制能力。","id":""}],"text":"","id":"doxcnSuSK0cYu8Qu4kbw4e4SfId"},{"type":"paragraph","children":[{"type":"text","text":"二、气息控制要有稳劲儿","id":""}],"text":"","id":"doxcnAOgg4kcu0MMG4yqXdrCwPj"},{"type":"paragraph","children":[{"type":"text","text":"播音员要根据节目内容的要求调节气息压力，该强就强、该弱就弱，吸气量要大于日常说话，呼气时要保持较为稳定的压力，调节自如。","id":""}],"text":"","id":"doxcnqOguqKMyyEs4I5wXwkbzyg"},{"type":"paragraph","children":[{"type":"text","text":"三、能做到快吸慢呼，并能根据需要及时补气","id":""}],"text":"","id":"doxcnSwqy2usOiGmkG0YtgHEwcf"},{"type":"paragraph","children":[{"type":"text","text":"播音语言，一般句子长度比口语长，结构比较复杂，间歇比口语少而短。要把每个句子播得完整而有层次，就需要按照句子结构用气，绝不能因气不够用而停下来吸气，要求播音员呼气的持续时间要尽量长，而且要掌握在句子进行中补气、偷气的技巧。","id":""}],"text":"","id":"doxcnuwoiAwUY0GASEFKOEiIdkg"},{"type":"paragraph","children":[{"type":"text","text":"四、做到短时间无声吸气","id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lan（拼音小兰），一声声渐渐远去，或者数数1、2、3、4……，嘴上用力，发音之间不要闭住声门，不要跑气换气，数得越多越好。","id":""}],"text":"","id":"doxcng8iyoEyykm22CsVTJE5nAc"},{"type":"paragraph","children":[{"type":"text","text":"2、快吸慢呼，快速短促地吸气，并保持气息，呼气时缓缓呼出，配合声音，平稳均匀。","id":""}],"text":"","id":"doxcn8KKUSk8yaISEYF36pQWzsf"},{"type":"paragraph","children":[{"type":"text","text":"呼气时，可以通过以下发声练习：巴、拔、把、爸、低、答、底、大。","id":""}],"text":"","id":"doxcnoQQKWYaSUcgOsnOUvrmiKd"},{"type":"paragraph","children":[{"type":"text","text":"换气时，可以进行以下练习：广场上，红旗飘，看你能数多少旗，一面旗、两面旗、三面旗、四面、五面旗……，相声小品里的“数来宝”经常用这个形式，大家可以观察演员的呼吸。","id":""}],"text":"","id":"doxcn2eiSo46Wq66kUZUmE18XSg"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"doxcni6oYcqmgEKKC0PdiMZVQN5"},{"type":"image","attrs":{"height":377,"note":[{"type":"text","text":"播音发声气息控制具体实施方法","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/b8ba113e2df949d9ba1bd306d39a09ad","width":589},"text":"","id":"doxcnqoAyAe6qm0gciMFhE0Zp0d"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"二、强控制练习","id":""}],"text":"","id":"doxcnk8aS0kg6m4ckmESCKGRhmh"},{"type":"paragraph","children":[{"type":"text","text":"要求气要吸得深并保持一定量，呼气要均匀、通畅、灵活。强控制练习需要一点声乐练习知识，在这里不好介绍。大家可以回想：《智取威虎山》里杨子荣喝酒唱歌那一段，最后结尾有个“啊—哈、哈、哈、哈哈哈……”基本的感觉就是这样。要体会膈肌和腹肌的作用，发声的时候气息是应该下沉的。","id":""}],"text":"","id":"doxcnOyuMG6SggaU66CBu3QuMEh"},{"type":"paragraph","children":[{"type":"text","text":"参考练习诗词：岳飞《满江红》、毛泽东《忆秦娥·娄山关》、陈然《我的“自白”书》，新闻联播播音员在播报简讯的时候，一般都用强控制。","id":""}],"text":"","id":"doxcnc6iSwAUMgKIWIhlc3GDZlh"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"三、弱控制练习","id":""}],"text":"","id":"doxcnQsCQSOwGWCkYKONR4rNmNd"},{"type":"paragraph","children":[{"type":"text","text":"1、吸气深呼气匀。缓慢持续地发出ai、uai、uang、iang四个音。","id":""}],"text":"","id":"doxcnsseW4woWao8Io55wUQmHpd"},{"type":"paragraph","children":[{"type":"text","text":"2、夸大声调，延长发音，控制气息。花红柳绿","id":""},{"type":"text","text":"H—ua、H—ong、L—iu、L—","id":""},{"type":"text","text":"v（发音时，声母和韵母之间气息拉长，要均匀、不断气）。","id":""}],"text":"","id":"doxcnG8KgQ4QW24EqIjSOx3Dpvh"},{"type":"paragraph","children":[{"type":"text","text":"3、通过夸大连续，控制气息，扩展音域。","id":""}],"text":"","id":"doxcnc2066YeCYoWuA5axY6L29f"},{"type":"paragraph","children":[{"type":"text","text":"参考练习诗词：李白《静夜思》、孟浩然《春晓》等。气息控制训练可以把握“深（吸得深）、匀（呼得匀）、通（气通畅）、活（用灵活）”四字方针，注意气息和内容的结合。单纯的语音、气息训练效果并不好，需要大家在实际朗读过程中不断体会、运用。","id":""}],"text":"","id":"doxcngoyaSYCSisK6i7xYaI3EOa"},{"type":"image","attrs":{"height":277,"note":[{"type":"text","text":"播音发声气息控制具体实施方法","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/ba87e92bdc874c9fb5a9c16bd620ef93","width":443},"text":"","id":"doxcnIkUukwQUu0CgymKAWjZCMe"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"共鸣控制","id":""}],"text":"","id":"doxcn8OgeOEoSYYOg82d11hV6Ac"},{"type":"paragraph","children":[{"type":"text","text":"共鸣对于播音发声的重要性体现在播音是以言语发声的过程，要想声音圆润集中，需要改变共鸣条件。","id":""}],"text":"","id":"doxcnuWWs4mEMssgaiG60jbgk0g"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"共鸣控制要领","id":""}],"text":"","id":"doxcnu4KYESoMqy6wmg7qqYQzY4"},{"type":"paragraph","children":[{"type":"text","text":"根据解剖学原理，共鸣器官能够受控并随意活动的是软腭、咽部和舌部，共鸣控制主要关注这三部门肌肉的活动组成结果。","id":""}],"text":"","id":"doxcn4IESICikGE4SOuqSjPYOZf"},{"type":"paragraph","children":[{"type":"text","text":"1、提起颧肌","id":""}],"text":"","id":"doxcnEoU4Y8SSUQ4KuwQOuWvKZc"},{"type":"paragraph","children":[{"type":"text","text":"颧肌稍带紧张感，使该部位肌肉向外上方稍稍提起，这就是提颧肌。提颧肌能使我们的发音更清晰、明亮。","id":""}],"text":"","id":"doxcnCUwyWIGi2uCiQJ4I9gi6pb"},{"type":"paragraph","children":[{"type":"text","text":"2、打开牙","id":""}],"text":"","id":"doxcn6QOMAkeSgosgUD0kLFtG5e"},{"type":"paragraph","children":[{"type":"text","text":"指双侧上后槽牙保持向上提起的感觉。这样就加大了口腔开度丰富了共鸣。考生可以用含有“Q”的音节来做夸张的练习，将会取得明显效果。","id":""}],"text":"","id":"doxcnW2qMQWiiSC4gCEFzJnRSsc"},{"type":"paragraph","children":[{"type":"text","text":"3、放松下巴","id":""}],"text":"","id":"doxcnSMmMsoaioaCKGKA0tgxnth"},{"type":"paragraph","children":[{"type":"text","text":"下巴紧张会导致舌根和喉头的紧张，进而导致发声吃力，声音也将发紧，有意的放松下巴就会使我们的发声吐字更加自如。","id":""}],"text":"","id":"doxcnag6mESMUCWeAyq0bhQ3sSh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"共鸣分类及训练","id":""}],"text":"","id":"doxcnKQyq4M0gSewOCkzz5DU9tc"},{"type":"paragraph","children":[{"type":"text","text":"1、口腔共鸣：口腔共鸣的获得是要在发音时，口腔自然上下打开，笑肌微提，下腭自然放下稍后拉，上腭有上提的感觉。口腔共鸣发声最主要的一点，是发声的时候鼻咽要关闭，不产生鼻泄露。","id":""}],"text":"","id":"doxcnCK242aIESIYoaCmdGmiNKh"},{"type":"paragraph","children":[{"type":"text","text":"通过下列练习大家可以体会一下，基本都是以开口元音为主练习：ba、da、ga、pa、ta、ka、peng、pa、pi、pu、pai。普通话的四个声调，准确的叫法是第一声—阴平，第二声—阳平，第三声—上声，第四声—去声。我们在进行声音训练的时候，多用阴平声调进行，这样有利于体会声音和气息。","id":""}],"text":"","id":"doxcnYq4Y68kwoiGW0wUFLK6FBb"},{"type":"paragraph","children":[{"type":"text","text":"词组练习：澎湃、冰雹、拍照、平静、批评，哗啦啦、噼啪啪、咣啷啷、扑嗵嗵、胡噜噜、快乐、宣纸、挫折、菊花、捐助、吹捧。","id":""}],"text":"","id":"doxcnmSI2MMiiKYIc2JsxMuGGBh"},{"type":"paragraph","children":[{"type":"text","text":"绕口令：山上五株树，架上五壶醋，林中五只鹿，柜中五条裤，伐了山上树，取下架上醋，捉住林中鹿，拿出柜中裤。","id":""}],"text":"","id":"doxcnwo8CQUQ28uMSS2MaOYv3Kd"},{"type":"paragraph","children":[{"type":"text","text":"2、鼻腔共鸣：鼻腔共鸣是声波在鼻骨上的振动，即将声音的焦点定位在鼻腔。","id":""}],"text":"","id":"doxcnI2UmU8a8w2uukRBDbSJs0e"},{"type":"paragraph","children":[{"type":"text","text":"鼻腔共鸣是通过软腭来实现的，标准的鼻辅音m，n和ng就是这样发声的。有人觉得鼻音重显得声音好听、有厚度，但是过多的鼻音有如感冒，是不好的。发a、i、u的音，加点鼻腔共鸣体会，加鼻辅音ma、mi、mu、na、ni、nu。","id":""}],"text":"","id":"doxcnKuQKkkW4UUYeoFaepZ750c"},{"type":"paragraph","children":[{"type":"text","text":"词组练习：妈妈、光芒、中央、接纳、头脑。","id":""}],"text":"","id":"doxcneamQWggW4uy4u6cD6C5iYc"},{"type":"paragraph","children":[{"type":"text","text":"蓝蓝的天上白云飘，白云下面马儿跑，挥动鞭儿响四方，百鸟齐飞翔。","id":""}],"text":"","id":"doxcn0sAWusKK44myWKSLISMkNh"},{"type":"paragraph","children":[{"type":"text","text":"3、胸腔共鸣：是指声带振动激起气管内空气柱振动而传送到肺再扩及整个胸腔引起共振产生的整个共鸣包括横隔膜以上至气管顶端的整个脑区。","id":""}],"text":"","id":"doxcnsaGkc2kEmcoqWIBqB8Kqeb"},{"type":"paragraph","children":[{"type":"text","text":"胸腔的空间及共鸣能量大，发出的声音有深度和宽度，声音更浑厚、宽广。“a”元音直上、直下、滑动练习。词组练习：百炼成钢、翻江倒海、追悔莫及。","id":""}],"text":"","id":"doxcnIQmQsOksqwG0iiC6g7rnDe"},{"type":"paragraph","children":[{"type":"text","text":"小柳树满地栽，金花谢，银花开。","id":""}],"text":"","id":"doxcnIy8W2oU8KCg1rcQLXD1bcu"},{"type":"image","attrs":{"height":300,"note":[{"type":"text","text":"共鸣分类及训练","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/3a3b97baf4a34bc1abc921726774778c","width":500},"text":"","id":"doxcnICoiWOKeAo8IOqMkQcu7Oh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"声音的弹性","id":""}],"text":"","id":"doxcnkk2sEuII88o8Qxb0snvEne"},{"type":"paragraph","children":[{"type":"text","text":"声音弹性，是指播音时声音形式对不同播讲内容和形式的适应能力。声音弹性包括声音的高与低、强与弱、实与虚、明与暗、刚与柔、厚与薄、纵与收等多层次对比变化。","id":""}],"text":"","id":"doxcne2MiAWA0wUQE6somUzgVgg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"声音弹性的特点","id":""}],"text":"","id":"doxcnIsO4kUqCQ4C2uKjRgucrfe"},{"type":"paragraph","children":[{"type":"text","text":"1、可变性，不同语调和情感。","id":""}],"text":"","id":"doxcn6CIo8SyUceSAaMgUtT9Xsc"},{"type":"paragraph","children":[{"type":"text","text":"2、对比性，有起有伏。","id":""}],"text":"","id":"doxcnkso4AGE8OOOiCEA2t2WQqe"},{"type":"paragraph","children":[{"type":"text","text":"3、复合性，不会单独存在，是多种结合的，如虚低，高实。","id":""}],"text":"","id":"doxcn8wOiKAoyeCAiYFTeqMYRle"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"声音弹性训练方法","id":""}],"text":"","id":"doxcnEkkimyM80iEaAxVtZ4Ggae"},{"type":"paragraph","children":[{"type":"text","text":"1、虚实练习","id":""}],"text":"","id":"doxcnmikKGSEG4sWqEBKISBwABe"},{"type":"paragraph","children":[{"type":"text","text":"虚实练声方法是：吸一口气，然后屏住呼吸，让声门保持在闭合状态，开始发音，此时声音是响亮的实声。然后逐渐打开声门，声音由明亮到柔和的音色变化，这个时候注意体会喉咙的感觉，刚柔、厚薄、明暗等变化。","id":""}],"text":"","id":"doxcnmWeGsQ4qiMEokTwAJI4Lid"},{"type":"paragraph","children":[{"type":"text","text":"2、高低声练习","id":""}],"text":"","id":"doxcnwu4mecEsws48m8fZDUNsOc"},{"type":"paragraph","children":[{"type":"text","text":"a、i、u由低音向上滑动，再从高音向下滑动。","id":""}],"text":"","id":"doxcnsaycc2SEAckK8TdWavwg8d"},{"type":"paragraph","children":[{"type":"text","text":"这个练习主要可以锻炼自己对于音色的精细识别能力和控制能力，可以在自己不断的练习中感受。可以进行不同音高的朗读练习。用一句话，或一首诗，变化着不同的音高来进行练习。","id":""}],"text":"","id":"doxcnyCWWGMSaAG8Ivezah1u0rU"},{"type":"paragraph","children":[{"type":"text","text":"如：“飞流直下三千尺，疑是银河落九天。”","id":""}],"text":"","id":"doxcnK0QUas08wISU2tGbpVVvDn"},{"type":"paragraph","children":[{"type":"text","text":"先用习惯音高朗读一遍，然后逐渐降低音调朗读，读到不太能胜任的音高时又逐渐提高音调读，也是读到自己还能胜任的最高音为止。","id":""}],"text":"","id":"doxcnwOg6i0MqQOuICmpqfHhpde"},{"type":"paragraph","children":[{"type":"text","text":"3、强弱练习","id":""}],"text":"","id":"doxcnQQiioy0EUaqyOklSXJKbXd"},{"type":"paragraph","children":[{"type":"text","text":"远距离对话练习，练习时随时改变距离。","id":""}],"text":"","id":"doxcnuiQGY4Uk4IIYAzM9UkTdte"},{"type":"paragraph","children":[{"type":"text","text":"甲：喂—，喂—，小芳—","id":""}],"text":"","id":"doxcneqkgKOeCC0mm6b4CjsS8ld"},{"type":"paragraph","children":[{"type":"text","text":"乙：嗳—","id":""}],"text":"","id":"doxcnOyMoOw6OAm8ImUULp4SNxc"},{"type":"paragraph","children":[{"type":"text","text":"甲：快—来—啊—","id":""}],"text":"","id":"doxcnSA2IsYkqKOoieq7SVTbdSh"},{"type":"paragraph","children":[{"type":"text","text":"乙：怎么了—呀—","id":""}],"text":"","id":"doxcnqu4MgwMGgy0CEVo1A9f79d"},{"type":"paragraph","children":[{"type":"text","text":"甲：一起去看—电—影—吧","id":""}],"text":"","id":"doxcngYmu4Mk84o0C0CB9ZFwJbd"},{"type":"paragraph","children":[{"type":"text","text":"乙：好—啊！","id":""}],"text":"","id":"doxcn2MeUgyYUauCgOyqrlUl6Cd"},{"type":"paragraph","children":[{"type":"text","text":"夸张声音练习法：注意加大运动幅度，用丹田气发声。","id":""}],"text":"","id":"doxcnIomUmGio6wIKqmUQDFQ97c"},{"type":"paragraph","children":[{"type":"text","text":"快板是最明显的例子，想象说快板的演员发声的状态，自己找一段快板试试，体会声音的弹性。","id":""}],"text":"","id":"doxcnmC2IiSOCiUcS2nXeJ5PrFh"},{"type":"paragraph","children":[{"type":"text","text":"4、练唱音阶法","id":""}],"text":"","id":"doxcnmKY8cuoOKESEkBlcoZTsOb"},{"type":"paragraph","children":[{"type":"text","text":"声音音高与声带张力成正比例。","id":""}],"text":"","id":"doxcnG2sMAymU64wgGWdPSlU55b"},{"type":"paragraph","children":[{"type":"text","text":"如果想提高音高，就须加强声带张力。反之则减弱。所以，进行音高的变化练习能有效地发展和增强声带伸缩变化的控制能力。","id":""}],"text":"","id":"doxcnEWmo8emuMIEe2bdktNV68g"},{"type":"paragraph","children":[{"type":"text","text":"其中最有效的练习办法是利用钢琴来练唱音阶，在自己力所能及的音域内半度半度地下降，半度半度地上升，进行反复练习。没有条件的则可借鉴京剧演员喊嗓子的练声法，做绕音练习，从基础音开始，逐渐地向高、低音两头扩展。","id":""}],"text":"","id":"doxcnmOQsyiWC60EE6Xg4ykJNBd"},{"type":"image","attrs":{"height":715,"note":[{"type":"text","text":"声音弹性训练方法","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/f99e97717b7d4b93bc9cc5b8d79a3c0c","width":1080},"text":"","id":"doxcnkGYGsUo4GUQUoRW8cYKD65"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"发音中的情声气","id":""}],"text":"","id":"doxcn4SOOOmCM4k20SOvXpqPzGe"},{"type":"paragraph","children":[{"type":"text","text":"语言是传递信息和交流思想情感的工具，存在于人际交流的有声语言情感，语声和气息是一个系统中的几个方面。","id":""}],"text":"","id":"doxcnCaM0u6sG6gaqs5GUq5hdig"},{"type":"paragraph","children":[{"type":"text","text":"情:是指在播音过程中播音员服务于播，讲目的由具体稿件或者话题引发，并由有声语言表达出来，始终运动着情感情，情我们进行播音创作的依据。","id":""}],"text":"","id":"doxcn0A888y04IoYsK8DFcP40gd"},{"type":"paragraph","children":[{"type":"text","text":"声:声是播音员依据稿件或话题，使发声器官运用播音技巧所发出的表达思想情感包含大量信息，并通过电声设备进行传播，经过科学训练的规范化艺术化的有声语言。","id":""}],"text":"","id":"doxcnUUUiACwUeqIiUvrXAR7B5g"},{"type":"paragraph","children":[{"type":"text","text":"气：气指的是在播音过程中未时有声，语言传情达意，播音员所控制自如使用胸腹式联合呼吸法所获得的发生动力。","id":""}],"text":"","id":"doxcni8eW8IGEayiwewaXOZUoah"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"情声气要求","id":""}],"text":"","id":"doxcncwS0IKmEKquIy2TOxZk0Od"},{"type":"paragraph","children":[{"type":"text","text":"1、情感需要具备最丰富的并能随时调动起来的思想情感，一方面播音员节目主持人要不断的加强自己的修养，锻炼和培养自己的政治艺术素养，使自己具备宽广的胸怀、纯真的情操、美好的憧憬、深邃的境界、蓬勃的志趣、灵动的活力等等，另一方面调动起来的运动者的思想情感一定要服从于稿件或话题的界定，服务于播讲目的。","id":""}],"text":"","id":"doxcnsu2cQyyauUQ6SGzGtoQLpe"},{"type":"paragraph","children":[{"type":"text","text":"2、对声音的要求是要能够充分的表达各类不同稿件所确定的不同层次，不同色彩的情感，能清晰明确的传递稿件所载有的所有信息，并具有各自声音形象特点。","id":""}],"text":"","id":"doxcngKK8084WUUoiMJT8pHJINc"},{"type":"paragraph","children":[{"type":"text","text":"3、播音发声对气息的要求是能符合播音员进行播音创作的要求，有一定力度呼吸控制自如完美的配合发声的气息。","id":""}],"text":"","id":"doxcnAiimu8gkyYAme2chiPoybf"},{"type":"paragraph","children":[{"type":"text","text":"总之，情感要取其高声音要取其中气息，要取其深以达到自整，腔圆清晰持久，刚柔自如声情并茂的境地。","id":""}],"text":"","id":"doxcnwOIAkQc4eGkWW4SF8F7Huc"},{"type":"image","attrs":{"height":356,"note":[{"type":"text","text":"情声气要求","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/6a704f2ad3d0469f9e035f26e9d6ce3c","width":640},"text":"","id":"doxcnSgQMoCiEIoQaqqo1cnWoZf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"发声练习常见的问题及矫正方法","id":""}],"text":"","id":"doxcnaagU68e8AiCK6u7Crz4vrh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"虚声过多","id":""}],"text":"","id":"doxcnc0cM4cWGGuMOADBF0eJjUb"},{"type":"paragraph","children":[{"type":"text","text":"主要表现：声音不实在，有些无力，没有足够的亮度和响度。","id":""}],"text":"","id":"doxcnQOQcqyqcM4KyWMvPSzyXig"},{"type":"paragraph","children":[{"type":"text","text":"矫正方法：虚声过多的学生，要注意锻炼唇舌的力度，练习一些响亮实在的词语和绕口令，如“百步穿杨”“中国伟大”等力度较大的词组，以及绕口令《八百标兵》《白庙和白猫》等。新闻播音当中，基本以实声为主，一般不出现虚声，而且换气声不要太大。","id":""}],"text":"","id":"doxcnSCKmkMMkee0wiiBhMHxLab"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"声音过于靠后","id":""}],"text":"","id":"doxcnSsw004u6uQwyojuiGGJ4Ec"},{"type":"paragraph","children":[{"type":"text","text":"主要表现：声音沉重，不明亮。发声过程中也容易疲劳和不适。","id":""}],"text":"","id":"doxcng226EEwgOOGyas1wPqwCLd"},{"type":"paragraph","children":[{"type":"text","text":"矫正方法：注意“两头紧中间松”，口腔和小腹加强控制，喉部保持松弛。舌根要灵活，不要太生硬。注意与口腔共鸣的调节方法相结合。","id":""}],"text":"","id":"doxcnqggIgeKqW4UiykRqr0PqGg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"鼻音偏重","id":""}],"text":"","id":"doxcnQqiEyGOSm2ms1oE5SqXfpe"},{"type":"paragraph","children":[{"type":"text","text":"主要表现：声音暗淡，不响亮，影响语言的清晰度。","id":""}],"text":"","id":"doxcnkIoMiWoUUyy0C81fLun4Ng"},{"type":"paragraph","children":[{"type":"text","text":"矫正方法：注意软腭挺起，牙关打开，减少过多的气流经过鼻腔。克服口腔、双唇的无力状态，保持积极的播音状态，不可过于懒散。","id":""}],"text":"","id":"doxcnmq8ec6gkKW4yMLugGc51cv"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"声音分散","id":""}],"text":"","id":"doxcnESOyiOK46g4EZGnfRWyfEd"},{"type":"paragraph","children":[{"type":"text","text":"主要表现：声音不集中，不饱满，冲击力不强。","id":""}],"text":"","id":"doxcn0iAQOCUmmwGwH3Qsed2Jxh"},{"type":"paragraph","children":[{"type":"text","text":"矫正方法：在发声的时候注意嘴唇中间三分之一部分用力，力量不可过于分散。注意气流冲击硬腭前端，也就是我们说的声挂硬腭，使声音更集中，更有冲击力。","id":""}],"text":"","id":"doxcnKq6U2SqqQ4AYW8oIwSEswf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"缺乏弹性","id":""}],"text":"","id":"doxcngQccMwGseoGYoJMRLpi47b"},{"type":"paragraph","children":[{"type":"text","text":"主要表现：声音缺乏变化，没有抑扬顿挫的对比。","id":""}],"text":"","id":"doxcnwquQaww06wAAQf4qtQARAd"},{"type":"paragraph","children":[{"type":"text","text":"矫正方法：加强对比训练，包括高与低，快与慢的对比训练等。高与低的训练，可以练习声音的爬高与降低。比如“伟大的祖国，伟大的人民”这句话，可以先逐渐升高地说，然后再逐级下降地说，体会声音的高低变化，丰富声音的层次。快与慢的训练，可以用不同速度来说一句话。比如“班干部不管班干部”这句话，可以分别用快速和慢速来练习，体会快与慢的变化。声音弹性的获得还需要情感的支撑，加强情声气结合。","id":""}],"text":"","id":"doxcnccCUuI6OC0c6ymTj7tyCBc"},{"type":"image","attrs":{"height":476,"note":[{"type":"text","text":"缺乏弹性","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/f22e64303de543959ec58d632e19ba1e","width":1024},"text":"","id":"doxcnI8wkwsys2o2MWY3vts0YZc"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"日常学习方法","id":""}],"text":"","id":"doxcnOmQM6KQIiiUkcNB3KgGQ9d"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"朗读朗诵","id":""}],"text":"","id":"doxcnwYqeIs2iOIoMYVCWzx5zFb"},{"type":"paragraph","children":[{"type":"text","text":"读书，大声读书。天天坚持朗读文章，既训练咬字敏捷清楚，又能掌握更多文学常识，更关键的是对播音大有益处，清喉扩胸，纳乾坤之气，成皓然之身。需要多读相关著作文章，每日坚持朗读三十分钟以上。","id":""}],"text":"","id":"doxcniIuYCAOGKcYiykgjdMFhAc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"录像练习","id":""}],"text":"","id":"doxcn0SWy6GQEOUGoqOGHd29Gbb"},{"type":"paragraph","children":[{"type":"text","text":"倘若时间需要，每过一阵子，把声音和演讲内容进行视频拍摄，接着反复观看，探讨哪里存在问题导致卡壳，姿势和神情是否不自然，久而久之，口才以及心态表现都会有明显进步。","id":""}],"text":"","id":"doxcnG4a4woWigqE8IfQkXzFxfd"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"速读","id":""}],"text":"","id":"doxcnK6coaei62akaaQDcTDuM9y"},{"type":"paragraph","children":[{"type":"text","text":"找来一则演说稿或一则其辞优美散文片段。先把原文中不明白的字、词弄明白，接着开始朗读。通常刚开始朗读速率比较慢，之后逐次逐次加快，直到你能够做到的最快速率。朗读过程中不可以有间断，读音要准确无误，咬字要清楚，要尽可能保证发音的完整。速读一定要建立在咬字清楚、读音干净整齐的前提上。大伙儿都有听过体育频道的解说员的解说，他们的解说就让人有快而不乱的感觉，每个字、每个音都发得十分清楚，没有含混不清的地方。播音希望做到的快也就是这种快，咬字清楚，而不是只为快而快。","id":""}],"text":"","id":"doxcn8OUAMSQisMc2WIf4ycOvPh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"即兴读物","id":""}],"text":"","id":"doxcni8oEEC4aUgQ8AjCNEKQz2g"},{"type":"paragraph","children":[{"type":"text","text":"日常余暇时，随意拿张旧报纸，随机翻到一段话，接着一鼓作气读下来。在朗读过程中，尽量控制上半句看稿子，下半句离开稿子看前面(假设前面有听众)。长此以往能加强记忆力，提高理解和即兴构思能力。","id":""}],"text":"","id":"doxcngc8MaY046QQyCI1wtyUWrC"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"转述法","id":""}],"text":"","id":"doxcnyCIGqMSuGkIyc5WA1sTzWh"},{"type":"paragraph","children":[{"type":"text","text":"转述法就是把他人说的话重新地讲述一次。需要找一位伙伴一同进行。第一步，请另一方随便讲一个话题，亦或是故事。自己需注意聆听。然后再向另一方转述一次。练习在于训练语言的衔接性、实地临场发挥能力以及语言表达组织能力。倘若能面对观众转述就更佳，还能够训练你的胆量，摆脱焦虑不安心理。","id":""}],"text":"","id":"doxcnaeM8YOA8mckoMpIWRxd73g"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"模仿","id":""}],"text":"","id":"doxcncEA0yEIeWOSCsIUz73Rn6p"},{"type":"paragraph","children":[{"type":"text","text":"大多数人自小便会模仿父母或大人说话","id":""},{"type":"text","text":"。实际上模仿的过程也是一种学习。儿时学讲话是向父母及身边人学习。那么，练习口才同样也可以利用模仿法，对有相关专场的人模仿，如电视主持。久而久之，口语表达能力也会有所提高。","id":""}],"text":"","id":"doxcnOSUG6EmUkSueGmGh5BLR3c"},{"type":"paragraph","children":[{"type":"text","text":"①模仿特定个人。生活上找一位语言表达能力强的人，请他讲些精彩说话，拍摄下来，供你进行模仿。也可以把你喜欢又适合模仿的主播、艺人、相声家等的表演记录下来进行模仿。","id":""}],"text":"","id":"doxcna0MkuQ68GsoCobRZbxlXnf"},{"type":"image","attrs":{"height":800,"note":[{"type":"text","text":"模仿","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/2d740719019e41349497421a5a977604","width":1200},"text":"","id":"doxcnKwSoKS0gKqU6s3lY40tkUf"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"嗓音的保护","id":""}],"text":"","id":"doxcn4gIi488YUiKWes0BiuU4bb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"科学练声","id":""}],"text":"","id":"doxcnqY08UwMYssgIa9hokXUzXK"},{"type":"paragraph","children":[{"type":"text","text":"1、练声过程必须按照：“以情带声、以声传情、以情运气、气随情动；以情用声、声随情变；声情并茂、传情达意”的要求来进行。","id":""}],"text":"","id":"doxcnEUUUA0G6uOYQsfEPim187c"},{"type":"paragraph","children":[{"type":"text","text":"2、在练习时，要注意发“暖声”，状态应该积极热情，面部呈“似微笑”状。同时还应该把握住练声的顺序，那就是—声音由小到大、由弱渐强、由低至高、由近及远、由实转虚、由短到长、由柔到刚。有些人在用声时喉部负担过重，有的胸口僵硬、气息沉不下来，还有的人声音过刚过直等等，这类要尽快改掉毛病，掌握科学的发声方法，通过大量练习完成量变到质变的过程。","id":""}],"text":"","id":"doxcnwMyoIu2aIIKGkvS6FRS1Jh"},{"type":"paragraph","children":[{"type":"text","text":"3、避免超时超量超负荷运作，一般来说，晨练控制在20分钟至半小时为宜，主要目的是把嗓子练开、练舒服，切不可盲目加大嗓音运动量。在嗓音疲劳的时候，可以用气泡音来帮助消除疲劳。气泡音是弱气流冲击声带，声带在压力最自然的状态下发出的音，是一种很好的声带保健方法。","id":""}],"text":"","id":"doxcncyW28ayIO0uEYf22aN9a6c"},{"type":"paragraph","children":[{"type":"text","text":"它的具体做法是这样的，喉要放松，喉结处于适中的位置，气吸到五到七成，发出比较明亮的颗粒性比较强的气泡音。最好以“啊”音的延长音作为练习材料【a----------】【a----------】【a-------------】。如果一时发不好，可以反复做几次伸舌的动作，把舌头用力地向外伸，张大口，这样可以起到调节喉结紧张度的作用。在喉部松弛的情况下再来发音。气泡音在练声前发可以起到活动开声带的作用，在练声后发能起到保健按摩的作用。在练声前后常做此练习可以有效的提高发声的效率。","id":""}],"text":"","id":"doxcn2iwcKiamcuaUuEcYidOqZg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"日常注意事项","id":""}],"text":"","id":"doxcnsMiQwAkemuwGIzslzBHIxb"},{"type":"paragraph","children":[{"type":"text","text":"1、根据自身的嗓音条件，扬长避短、量力而行、循序渐进、持之以恒。一般来说，只要方法科学，练习得法，好嗓子是可以练出来的。","id":""}],"text":"","id":"doxcnSqk8sOOWCIwGeu7H94kU2e"},{"type":"paragraph","children":[{"type":"text","text":"2、增强体育锻炼。发音器官健康与否，很大程度上取决于身体的健康状况。对于播音员主持人以及其他学习者来说，适当的增强耐力性的体育锻炼，例如跑步等等，能有效地提高我们呼吸肌肉群对于气息的控制力，从而大大提高发声的效率。","id":""}],"text":"","id":"doxcnA8G6yOGkKkuU08Pf2H93ab"},{"typ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买什么紫砂壶好？

推荐三款正宗紫砂壶，喜欢的可以一起讨论。均出自国家级美术老师作品，纯正红泥，造型生动。产地为无锡宜兴。

第一把《古风套组》国家级高级工艺美术师作品，原矿底槽清造坯，沉雄古逸，有充实感，一壶四杯五件套，壶容量550cc，杯容量180cc。正如孟子所说：充实之谓美。饱满的壶身，健捷的端把，壶钮为龙衔玉环，技艺的积淀，手感的把控，情感的表达淋漓尽致，刻绘古朴典雅，彰显它朴实无华，古道遗风，是精神世界被升华后的纯粹与净洁。

第二把道洪竹套组 国容量约420cc，杯子容量80cc，原矿紫泥泥料，透气性尤佳，泡一滚沸水，水雾袅绕，壶身的竹叶全手工贴制，立体生动，以竹枝为钮，增添了几分自然生态的气息

第三把国工精品，特价秒杀999🉐️【菱花壶】原矿底槽清制作，容量约310cc; 炮管直流嘴圆润光滑，与壶身衔接自然流畅，出水酣畅淋漓，手工搓把，粗细有度，线条自然流畅，手势顺畅，执握适度，盖面菱花装饰，简洁大方，菱花为钮精致美妙，壶把及壶钮壶嘴三点一线，具有很高的工艺水准，嵌盖式设计，壶口严丝合缝，密封性好；闲暇时光，慢慢享受生活的趣味~

服装的穿搭技巧？

穿衣仅仅是用几套衣服配搭出多种穿衣方法吗？仅仅是1+1=2的简单加和吗？NO！要真正达到穿衣的精髓，真正穿出美丽，引来赞赏与回头率，就需要好好地探求一下穿衣的道理。

注意色彩搭配

色彩，是影响搭配第一印象的关键因素。掌握色彩的概念和搭配分类，至关重要哦。

一般而言，服装的色彩除了指服装的上下、里外色彩之外，还包括服饰配件（帽子、包、项链、手链等）的色彩。服装的主色调给人第一感觉，使人产生直观印象和深刻的记忆，能够充分体现穿着者的性格特征和情感。

服装色彩的搭配贵在和谐，这是一种整体效果，反映穿着者内在各个方面的有机联系。为了与不同的场合、环境、用途、个人爱好等协调，在运用服装色彩时，可通过不同的手法，比如对比与调和，来增强服装的视觉反差和韵律感，或者使之产生优雅平静的穿着效果。

应该注意，现代服装色彩美感的营造，无论是对比强烈，还是柔和素雅，都力求在色彩的组合上来实现。从服装设计的观点上来说，颜色搭配得好坏，最能表现一个人对服装鉴赏能力的高下。而我们的外表，除了对镜的一刻之外，大部分时间是由别人来欣赏评鉴的，因此，舍弃个人主观的喜好，以客观的标准来决定颜色的搭配，乃是穿衣艺术的第一要诀。

配色技巧

单色配色

生活中，服装给人的印象首先是由各类色彩构成的。单色搭配是服装配色中的重要组成部分，所形成的是具有较高的审美情趣，给人稳重、成熟的感觉，一般职业女性多选择此类搭配。

不少人都喜欢穿单色的衣服，特别是对于一些崇尚极简生活的人，更是这样。不过，即使是单色搭配，也是能搭配出花样来的；而且，在服装色彩搭配界，好的单色搭配可是最高级的一个搭配方法。

其实，对于单色搭配，对于关注时尚的人来说并不陌生；比如在很多T台走秀上，单色搭配的应用就非常多，单色搭配使看的人眼睛不累，会感觉很舒服。单色搭配选择颜色时，颜色首先要适合自己，一般以中性色为主。单色搭配时颜色单一，但是要注意衣服质感的差异。单色需凸显面料的质感、层次感，因此衣服和配饰必须选择不同质感、肌理相搭配，质感差异需大于等于3种。下面就是单色搭配的例子，供大家参考。

二色配色

二色配色能形成层次感，它是生活中最常见的配色方法。

二色配色主要通过明度、色相、纯度这3种色彩属性的变化来实现。

在二色构成的服装中，通过运用明度对比，可以使亮色更亮，暗色更暗，使服装与附件之间、上下装之间、内外装之间构成明快、活跃的气氛。由于色彩对比存在着轻、重，软、硬，冷、暖等变化，所以赋予人以忧郁、沉稳、质朴、兴奋等各种感情色彩。

运用色相对比，常构成色彩的冷暖对比。比如红色与蓝色相配时，红的更红，更偏暖；而蓝的更蓝，更偏冷，这是非常明显的冷暖对比调。而黄色与红色相配时，黄色有带橘色的感觉，形成暖调；但黄色与蓝色相配时，则形成冷暖对比调。

在运用色相对比时，色彩面积大小直接影响色调倾向，可采用大面积冷（暖）色与小面积暖（冷）进行组合。

纯度间的配色是以色彩纯度变化为主的鲜色调，含灰色调。灰色调的服装色彩的组合形式，其实就是在两种色彩中混入相同的灰色或黑色，使对比色彩具有柔和效果。

多色配色

在服装的整体色彩组合关系中，包括了诸多的因素，内衣、外套、下装、配件、首饰等，它们各有其不同的色彩特征。多色配色方法就是运用谐调、统一的原理，使不同的色彩组合在一个统一体中。

多色配色最关键的是抓住主色调。抓住主色调好比抓住一首乐曲的主旋律，设置一个最大面积的大色块或几个相同色块，然后适当配置小面积的辅助色、点缀色、调和色等，这样既突出了重点，强调了色调，又显得丰富多彩。此外，也不应忽视色彩与色彩之间的内在联系，这种联系从色调角度来考虑可以归纳为以下4种∶

1.明亮、浅色组合。适当配置少量深色或艳色，比如米黄、棕黄、深褐色。

2.暗色组合。在深色和黑色组合中适量加入少许浅色或艳色，比如深蓝、蓝黑、粉红色。

3. 中间色组合。在灰色（含各种色彩）系列中，适当配以一些深色、浅色或艳色，比如蓝灰、烟灰和淡紫色。

4. 艳色组合。纯度高的色彩中掺入少量含灰或黑白灰色彩，比如大红、室石蓝、茶色。

在选择色彩时，最好不要超过3种。

类色和类似色

同类色与类似色看似相像，其实完全不同。

同类色就是其本来面貌都是相同的，只不过由于渐次加入黑、白、灰，形成了深浅不同的色彩。比如黄色就有浅黄、黄、中黄、深黄等，红色有粉红、红、大红、深红等，这些色彩都被冠之以同类色。同类色是最单纯、最朴实的色彩关系，在服装的色彩搭配中，利用其深浅明暗的变化进行组合，能够产生协调效果。当你选色没有把握时，可优先考虑这类色彩。

色彩相貌相似的色彩被称为是类似色，好比双胞胎兄弟，不过是一种色彩，由于各自含有不同的色彩成分而产生了变化。比如红色，分别掺入适量的黄色和橘色，就形成橘黄色和橘红色，这两种色彩就是类似色，它们分别含有红色这个“基因”。其他如黄与绿、青与绿、青与紫都是类似色。

类似色的搭配效果是很柔和的，它没有强烈的对比味，所以极易搭配并很协调。

着装技巧

身型扬长避短

根据身型特点选择款式，扬长避短也是搭配很重要的作用哦。不用减肥也能有显瘦显高。

T型身材

有小肚腩

腿短搭配

搭配误区解答

多年搭配培训经验，面对很多姑娘们关于搭配技巧的提问。其中很多是搭配误区哦，总结给你们。

由浅入深，穿衣有三层境界：第一层是和谐，第二层是美感，第三层是个性。

经典很重要，时髦也很重要，但切不能忘记的是一点匠心独具的别致。

不要太注重品牌，这样往往会让你忽视了内在的东西。

绝没有所谓的流行，穿出自己的个性就是真正的流行。

优雅的衣着有温柔味道，但对于成熟的都市女子来说，最根本的是高贵和冷静。

一件品质精良的白衬衫是你衣橱中不能缺少的，没有任何衣饰比它更加能够千变万化。

场合穿搭法

搭配，不仅仅要满足喜好，符合场合需要的形象气质，也是我想分享给你们的。比起盲目的穿着时髦，穿衣风格才是最应该学的一堂课，不同的穿衣风格对应不同的场合。上班通勤，上班时间就不能太过随意，不管你从事什么行业都要有专业度，不要穿着过于休闲的服装。

尤其是破洞太大，露肩太夸张的衣服。

当然，如果你是时尚博主类的就可以。

在鞋子的搭配上要避免拖鞋，如果是今年流行的包头穆勒拖鞋可以酌情选择。

避免露出过多的皮肤，低胸装这样的衣服还是要避免，办公室尽量低调优雅。

着装尽量简单利落，如果从事金融、律师等行业，那么着装就尽量以正装为主。投资几套质感比较好的西装和衬衫，不需要太多去更替，给人以实干的印象。

当然，也可以选择套装来搭配。颜色选择黑、白、灰一定不会错，杨幂、刘涛在电视剧中的穿搭 非常适合宝宝们借鉴。

如果从事的工作氛围比较轻松，着装相对可以不那么严肃。白色，裸粉，浅蓝等，这些偏柔和的色系都可以尝试。

可以搭配一些亮色的配饰，例如包包、丝巾、首饰等等，给职业装带来一些活力。

不要穿不合身的衣服，oversize和睡衣西装虽然很流行，但真的不适合职场氛围，只会让你看起来很邋遢没有精神。

职场必备的衬衣一定要有，没有过多设计的经典款衬衫，才最适合职场，投资5、6件质感好的衬衫非常重要。职场中，穿裤装也是比较多。不管是直筒，小脚，阔腿裤都是职场利器。

记得要选择版型垂顺硬挺的，质感很重要哦。

长款的阔腿裤，可以把高跟鞋藏在里面，看起来腿又长又直。

小个子的姑娘也可以选择露出脚踝的款式。

记得要找高腰的把上衣塞进裤子里

职场裙装首选铅笔裙和直筒裙，看起来优雅得体，记得长度不要高于大腿中部噢。

出门逛街或者是外出旅行，都是你放飞自我的时间，可以选择自己喜欢的单品，任意搭配。

当然时髦单品里，也有百搭又不容易出错的。例如短夹克，短夹克这件单品本来就很显高，搭配牛仔裤就OK啦，小个子最好选择九分长度，露出脚踝。

帅气十足的短夹克，也可以和各种裙装碰撞在一起，搭配短裙，瞬间减龄哦。

对于职场女人来说，我们的形象非常重要，它永远都是走在能力前面的，所以穿搭是每天上班前必须关注的事。上班想要穿得得体又不乏味，有时候还是非常考验我们搭配功力的。

整体来说，职场穿搭，简洁利落就好，质感过关，剪裁合身，不用费力去追赶时髦，优雅知性又不乏温柔女人味就最好了，注重细节的处理，为自己的着装加分。今

款式的搭配

小西装+烟管裤

春季是非常适合穿小西装的季节，选择修身利落的小西装来搭配干练显瘦的烟管裤，分分钟穿出优雅气质范。黑色小西装，对于微胖的女生格外友好，也是经典的百搭单品，搭配浅色系衬衫或针织衫，会显得不那么高冷刻板，下装选择黑色烟管裤，整体的搭配，特别显瘦利落，是职场中最不容易出错的搭配了。

毛衣+一步裙

最近的天气特别适合穿毛衣，今年流行叠穿法，就是毛衣与衬衫叠穿起来，显得时尚了很多，也让职场穿搭变得有趣起来。灰色毛衣与暖灰色衬衫叠穿，露出衬衫的领口与衣角，增加了层次感，同色系的搭配看上去显得高级，下装选择黑色的一步裙，内敛而高雅，也温柔有女人味。

针织衫+牛仔裤

如果我们平时上班对穿搭没有特殊的要求，可以尝试下简约的针织衫与牛仔裤的搭配，舒适减龄，同时也雅致温柔。酒红色针织衬衫，热烈醒目的颜色更容易衬托出好气色，搭配简单的牛仔裤，简约而低调，给人的感觉很舒服。

衬衫+西装裤

衬衫是职场中不可或缺的单品，想要穿得得体不乏味，我们可以选择有设计感的衬衫，比如V领或飘带领的衬衫，质地也可以选择轻盈有垂坠感的雪纺，这样显得更有质感。白色飘带领雪纺衬衫搭配黑色西装裤，经典的配色，不会过时，飘带领的设计增加了优雅的味道，有些法式风的搭配。

风衣+牛仔裤

春季衣橱里一定要有一件风衣，无论是卡其色、驼色、黑色都可以，这样经典的单品怎么穿都挺有范的。风衣搭配牛仔裤，不太挑人，只要我们选择适合自己的风衣服款式就OK了。小个子女生建议选择H型的中长款风衣，不拖杳，利落简洁，显高显瘦，搭配直筒牛仔裤，简约而大气。高个子女生不妨试试廓形的长款风衣，搭配铅笔牛仔裤，走路带风的洒脱感，特别有范。

颜色的搭配

职场女生在穿搭时，颜色搭配非常重要，想要得体不乏味，我们除了经典的黑白灰搭配之外，增加一些低调高级的莫兰迪色系搭配会显得优雅温柔很多。安静沉稳的雾霾蓝衬衫搭配灰色格纹烟管裤，配色知性优雅，不浮夸，低调却显得高级，职场这样穿，显得格外气质。淡淡的樱花粉衬衫搭配米色阔腿裤，雅致减断，很女人味，也保留着一丝丝清甜的少女感，很好看。

鞋子与包包的搭配

职场中鞋子的选择要利落点，尖头小高跟是不错的选择，既显高挑精神又特别不至于特别累，鞋子的颜色要与衣服相响应，选择与某个单品同色系会带来高级感。对于职场包的选择，线条干练简约，款式板正的包包更适合，包包的大小要与身形相匹配，小个子女生不宜背大包，显得拖沓也压身高。

配饰的选择

职场穿搭要关注的细节，千万别小看配饰的选择，有时候会起到点睛之笔的。手表、耳饰、丝巾、项链可以选择1-2个来搭配组合，款式要精致而简约，这样不仅提升品味和质感，也增加了温柔女人味。

这些实用的职场搭配技巧我们可以收藏起来，掌握它，这一季会变得更加优雅有女人味哦~

男士

相较于女士，男士穿衣搭配就相对简单些。和女装不同，男生的穿搭更讲究化繁为简。那对于男人穿衣搭配来讲，需要有哪些小技巧呢?

合身的衣服是关键

对于男人来讲，也是讲究合身的衣服的，衣服是别人一眼就能看到的外在，所以，你必须穿合身的衣服。如果你穿了不合身的衣服，就算再干净，也会给你一片乱糟糟，而且脏乱的感觉。因此，在去正式的场合的时候，最好是能有几套合身的衣服用来应急，这是最最关键的，因为这不仅关乎到你的形象，有可能也关乎到你的事业和未来，以及爱情。

领带是点晴之物

想要让你的衣服出彩，或者是你的整体出彩的话，那么就好好地在领带上下功夫吧。对于男人来讲，衣服搭配合适的领带是十分关键的。我们要知道，不同的场合要用不同的花色的领带，不同样式的领带。所以男士这点也得有点儿小常识。对于在办公室里来讲，一般是系黑色的丝质的领带最好，不过这种领带不适合正式场合，因为会显得死板。如果你去文化气息较重的地方的话，最好是系点状领带，这会让人一看就有古典气息。年轻一点的人，就用点状较小的，而年龄稍长的就用点状较大的。斜纹领带也是适合年轻男士的，这种领带是白搭，任何场合都算是可以用的。一般情况下，颜色分别多以蓝黄或者是蓝红相间为妙。还有，出门在外，多用窄一些的领带哦。

衣服颜色是保障

对于穿什么颜色的衣服来讲，也是有讲究的。对于一个对自己十分了解的男人来讲，穿一些适合自己皮肤的衣服是最关键的。记得，你选择的衣服的颜色最好和你的皮肤的颜色可以吻合，互相可以有一个映衬，这样，你才会显得更加精神。所以，如果你的皮肤黑，那么就用明亮的颜色或者是浓重的颜色来搭配。如果你的皮肤稍白，那么更加适合柔和的水彩系色，或者是粉色系。记得，在选择衣服的时候，如果你不是和朋友聚会玩耍，那最好是不要穿太多颜色的衣服，而且如果想要搭配两种颜色的衣服的话，也最好是选择同一色系的比较好。还有，如果你穿了西装，那么可能会觉得太正式，这个时候，就可以选择一款比较合适的包包来点缀你。还有记得，穿衣服的时候，不要太紧身，也不要把衣服系得太紧，好象你就是一个棕子似的。

裤子衣着莫忘记

许多人觉得，上身穿得漂亮了，下身马虎点无所谓，可是实际上，这种认知是错误的。对于男人来讲，下身尤其也是女人关注的地方。所以，穿好下身裤子也是十分重要的。通常情况下，穿长度刚好到达鞋底部，又不贴到地面的那种长度的裤子。最好是穿与上身衣服的颜色有所配合的颜色的裤子。这个时候，你要搭配好颜色的皮带。记得，搭配的最佳方式是与你的皮革的颜色保持一致最为妙。因为这个，会让人有一种统一而忠情的感觉。还有就是穿西装的时候，许多男同胞容易忽略了袜子的选择。其实啊，袜子在西装的时候，也很重要的。记得，你的袜子应该到小腿的下部最为妙，因为这样的话，你交叉腿的时候，不易露出来你腿的皮肤，这样会让对方心情愉悦。休闲的时候，袜子可以尽量短。毕竟，这是一种最时下流行的穿法。

皮鞋袜子要重视

鞋子也是男人的最佳皮，尤其是皮鞋。记得，在出门的时候，不要穿那种皱巴巴的皮鞋，让人看着就肮脏而且不舒服。在出门的时候，选择一双干净的而且是平滑的鞋子出门会给你加分不少。还有，记得出门的时候，也要关注一下袜子。对于袜子来讲，尽量穿与裤子的颜色一致的袜子，而不是与鞋颜色一致的袜子。如果西服的颜色较浅，那就穿比西服的颜色深一点儿的袜子就可以了。还有，记得，穿凉鞋的时候，千万不要穿袜子，尤其是凉拖的时候。

关于季节

春秋季

最近天气开始变凉 ，初秋和晚秋的天气不同，所以整体搭配就会不一样。

初秋不算太冷，一个衬衫外套就可以解决。

晚秋偏凉，就需要穿上一些厚重的衣裳。

叠穿效果也是不错的

还有一种穿搭技巧是“上长下短”

这种穿法适合初秋和春天，不仅不会显得过于「浮夸」，也更容易突出男生的「T型」身材，在视觉上更显挺拔，有活力。

冬季

冬天男生该怎么穿，才能兼顾风度和温度呢?对于男生来说，冬天最想买的衣服想必就是大衣了，既保暖，又很有风度，搭配一件百搭的白色针织衫，再搭配一条牛仔裤，时尚又帅气。

冬天穿羽绒服是最暖和的，那些呢子外套、加厚棉衣也都没有羽绒服暖和。北方的冬天可不要小看，就算那些再喜欢讲究风度、不讲究温度的男生和女生，恐怕也要入手买一件羽绒服。外面穿着一件羽绒服，里面穿一件不太厚的毛衣或者衬衣，下面配上一条工装裤，即看不出臃肿也显得时尚！心动不如行动，没有买羽绒服的就抓紧吧！

夏季

男生夏季穿搭可以选择衬衣加短裤，另外条纹的polo衫显瘦能遮掩些身材的缺点，对于矮个子的男生则要注意上下装对比不要太悬殊。

衬衣是许多男士衣橱的必备穿搭单品。西装衬衫是再经典不过的穿搭，其实衬衣也可不搭配西装裤而选择搭配短裤，搭配短裤会让男生更显成熟。如果不喜欢简单单调的白衬衣可以选择花衬衣或者是白色衬衣当中带点图案的衬衣，这样的衬衣就比较有个性，而且穿起来会更加的年轻不死板。

着装配色

为什么同一件衣服别人穿很好看，你穿却差点感觉，那可能是你颜色没搭对。搭对颜色可以让你穿衣事半功倍。

颜色呼应原则

衣服配饰不呼应，分区明显不呼应。任选两区同色系，颜色呼应更帅气。

同色过渡原则

衣服裤子相同色，层次单一很失策。加件打底漏下摆，颜色过渡很出彩。

不超三色原则

衣服杂乱配色多，不好看是你的锅。颜色不要超3种，穿搭这块你最懂。

%3Chowto_content%3E[{"type":"paragraph","attrs":{"is_abstract":true},"children":[{"type":"text","text":"穿衣仅仅是用几套衣服配搭出多种穿衣方法吗？仅仅是1+1=2的简单加和吗？NO！要真正达到穿衣的精髓，真正穿出美丽，引来赞赏与回头率，就需要好好地探求一下穿衣的道理。","id":""}],"text":"","id":"doxcniDL1GkrHUUMpPSZuwHrPgf"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"注意色彩搭配","id":""}],"text":"","id":"doxcnNAGX5jFPWF7v26yGPREHtc"},{"type":"paragraph","children":[{"type":"text","text":"色彩，是影响搭配第一印象的关键因素。掌握色彩的概念和搭配分类，至关重要哦。","id":""}],"text":"","id":"doxcnpfRrTCsg1exVGANyZNYWZf"},{"type":"paragraph","children":[{"type":"text","text":"一般而言，服装的色彩除了指服装的上下、里外色彩之外，还包括服饰配件（帽子、包、项链、手链等）的色彩。服装的主色调给人第一感觉，使人产生直观印象和深刻的记忆，能够充分体现穿着者的性格特征和情感。","id":""}],"text":"","id":"doxcniXzjHFwJxQHpz9UI1SKNoe"},{"type":"paragraph","children":[{"type":"text","text":"服装色彩的搭配贵在和谐，这是一种整体效果，反映穿着者内在各个方面的有机联系。为了与不同的场合、环境、用途、个人爱好等协调，在运用服装色彩时，可通过不同的手法，比如对比与调和，来增强服装的视觉反差和韵律感，或者使之产生优雅平静的穿着效果。","id":""}],"text":"","id":"doxcnS1eIHGfSgrJrePtwgphGm1"},{"type":"paragraph","children":[{"type":"text","text":"应该注意，现代服装色彩美感的营造，无论是对比强烈，还是柔和素雅，都力求在色彩的组合上来实现。从服装设计的观点上来说，颜色搭配得好坏，最能表现一个人对服装鉴赏能力的高下。而我们的外表，除了对镜的一刻之外，大部分时间是由别人来欣赏评鉴的，因此，舍弃个人主观的喜好，以客观的标准来决定颜色的搭配，乃是穿衣艺术的第一要诀。","id":""}],"text":"","id":"doxcnMmJbHAhoHID5VBEYjnlAQd"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"配色技巧","id":""}],"text":"","id":"doxcnF7dORVI8ebSpBuEZhC4zwe"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"单色配色","id":""}],"text":"","id":"doxcng8O7oxDbGN0B7AEDmLhzOc"},{"type":"paragraph","children":[{"type":"text","text":"生活中，服装给人的印象首先是由各类色彩构成的。单色搭配是服装配色中的重要组成部分，所形成的是具有较高的审美情趣，给人稳重、成熟的感觉，一般职业女性多选择此类搭配。","id":""}],"text":"","id":"doxcnlgIQjFDPOIZzoZZrgPADEf"},{"type":"paragraph","children":[{"type":"text","text":"不少人都喜欢穿单色的衣服，特别是对于一些崇尚极简生活的人，更是这样。不过，即使是单色搭配，也是能搭配出花样来的；而且，在服装色彩搭配界，好的单色搭配可是最高级的一个搭配方法。","id":""}],"text":"","id":"doxcnvlVSWYU9KBqpK5EMcBzjyh"},{"type":"paragraph","children":[{"type":"text","text":"其实，对于单色搭配，对于关注时尚的人来说并不陌生；比如在很多T台走秀上，单色搭配的应用就非常多，单色搭配使看的人眼睛不累，会感觉很舒服。单色搭配选择颜色时，颜色首先要适合自己，一般以中性色为主。单色搭配时颜色单一，但是要注意衣服质感的差异。单色需凸显面料的质感、层次感，因此衣服和配饰必须选择不同质感、肌理相搭配，质感差异需大于等于3种。","id":""},{"type":"text","text":"下面就是单色搭配的例子","id":""},{"type":"text","text":"，供大家参考。","id":""}],"text":"","id":"doxcn3k4aA4kRWear2W3OArDHZb"},{"type":"imageList","children":[{"type":"image","attrs":{"height":450,"note":[{"type":"text","text":"单色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/dde07452f2ed410180915096faed793f","width":300},"text":"","id":"doxcn7EXFDpwiZPm0r7Nb155yye"},{"type":"image","attrs":{"height":413,"note":[{"type":"text","text":"单色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/77f5ce3b0fb647908299347f12237145","width":300},"text":"","id":"doxcnSvySMt6yNtbl1OHgrcjxfR"}],"text":"","id":"doxcn5CX9wRCXtUcQDTNyDwqzId"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"二色配色","id":""}],"text":"","id":"doxcn5CX9wRCXtUcQDTNyDwqzId"},{"type":"paragraph","children":[{"type":"text","text":"二色配色能形成层次感，它是生活中最常见的配色方法。","id":""}],"text":"","id":"doxcnjCC9ooGY8Lx2rfkkodKdjb"},{"type":"paragraph","children":[{"type":"text","text":"二色配色主要通过明度、色相、纯度这3种色彩属性的变化来实现。","id":""}],"text":"","id":"doxcnGiK8tYb3RPrquLWKDQnDrf"},{"type":"paragraph","children":[{"type":"text","text":"在二色构成的服装中，通过运用明度对比，可以使亮色更亮，暗色更暗，使服装与附件之间、上下装之间、内外装之间构成明快、活跃的气氛。由于色彩对比存在着轻、重，软、硬，冷、暖等变化，所以赋予人以忧郁、沉稳、质朴、兴奋等各种感情色彩。","id":""}],"text":"","id":"doxcnTQmGAme3u8eF4oiRGNbeFg"},{"type":"paragraph","children":[{"type":"text","text":"运用色相对比，常构成色彩的冷暖对比。比如红色与蓝色相配时，红的更红，更偏暖；而蓝的更蓝，更偏冷，这是非常明显的冷暖对比调。而黄色与红色相配时，黄色有带橘色的感觉，形成暖调；但黄色与蓝色相配时，则形成冷暖对比调。","id":""}],"text":"","id":"doxcne5NcFkwaEt157o1blJr2ne"},{"type":"paragraph","children":[{"type":"text","text":"在运用色相对比时，色彩面积大小直接影响色调倾向，可采用大面积冷（暖）色与小面积暖（冷）进行组合。","id":""}],"text":"","id":"doxcnNge0roHmRqhm6mDEaDlcMf"},{"type":"image","attrs":{"height":613,"note":[{"type":"text","text":"二色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/29634fc9c4b04c17ac28905916509171","width":458},"text":"","id":"doxcnwmX9OPggJpjAAKIBp3NL8e"},{"type":"paragraph","children":[{"type":"text","text":" ","id":""}],"text":"","id":"doxcnc3NArTda79JXyMUMNDnzN3"},{"type":"paragraph","children":[{"type":"text","text":"纯度间的配色是以色彩纯度变化为主的鲜色调，含灰色调。灰色调的服装色彩的组合形式，其实就是在两种色彩中混入相同的灰色或黑色，使对比色彩具有柔和效果。","id":""}],"text":"","id":"doxcnhsqoiy0nnr13H8cOGbutFb"},{"type":"image","attrs":{"height":370,"note":[{"type":"text","text":"二色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/4a05849200bb44bc9b5699799d8ca127","width":554},"text":"","id":"doxcnCOqghVPNz29v7aQPLlkw4r"},{"type":"paragraph","children":[{"type":"text","text":" ","id":""}],"text":"","id":"doxcn8yfrLfSLITwLwgVxkQUqmd"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"多色配色","id":""}],"text":"","id":"doxcn57pGXWdCWOPqjwN5NMkrtd"},{"type":"paragraph","children":[{"type":"text","text":"在服装的整体色彩组合关系中，包括了诸多的因素，内衣、外套、下装、配件、首饰等，它们各有其不同的色彩特征。多色配色方法就是运用谐调、统一的原理，使不同的色彩组合在一个统一体中。","id":""}],"text":"","id":"doxcn2BaO7BBliDdU5pKGrHYmDd"},{"type":"paragraph","children":[{"type":"text","text":"多色配色最关键的是抓住主色调。抓住主色调好比抓住一首乐曲的主旋律，设置一个最大面积的大色块或几个相同色块，然后适当配置小面积的辅助色、点缀色、调和色等，这样既突出了重点，强调了色调，又显得丰富多彩。此外，也不应忽视色彩与色彩之间的内在联系，这种联系从色调角度来考虑可以归纳为以下4种∶","id":""}],"text":"","id":"doxcnG1gRp9IuLjVZMWzUYrZdSf"},{"type":"paragraph","children":[{"type":"text","text":"1.明亮、浅色组合。适当配置少量深色或艳色，比如米黄、棕黄、深褐色。","id":""}],"text":"","id":"doxcn3mKaW7mqxt7HaYepmjLooc"},{"type":"paragraph","children":[{"type":"text","text":"2.暗色组合。在深色和黑色组合中适量加入少许浅色或艳色，比如深蓝、蓝黑、粉红色。","id":""}],"text":"","id":"doxcnhAzRXI1IRZsaMrHDHwFl2c"},{"type":"paragraph","children":[{"type":"text","text":"3. 中间色组合。在灰色（含各种色彩）系列中，适当配以一些深色、浅色或艳色，比如蓝灰、烟灰和淡紫色。","id":""}],"text":"","id":"doxcnJGuYiNcZUVcoctIBykJqze"},{"type":"paragraph","children":[{"type":"text","text":"4. 艳色组合。纯度高的色彩中掺入少量含灰或黑白灰色彩，比如大红、室石蓝、茶色。","id":""}],"text":"","id":"doxcnRqy2KTcZbk1kXU99YmbfIg"},{"type":"paragraph","children":[{"type":"text","text":"在选择色彩时，最好不要超过3种。","id":""}],"text":"","id":"doxcn42hbJrx9ylBkFyVMtRhvNf"},{"type":"paragraph","children":[{"type":"text","text":" ","id":""}],"text":"","id":"doxcnbAv8AMmNiv0cX6Ly2TmTtb"},{"type":"imageList","children":[{"type":"image","attrs":{"height":610,"note":[{"type":"text","text":"多色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/f830812f661140299682060d7b19ed36","width":338},"text":"","id":"doxcndp2furCfjg7WXNHwRXeZub"},{"type":"image","attrs":{"height":625,"note":[{"type":"text","text":"多色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/6a79bc14bd1143bbbcac2770ec9b1006","width":352},"text":"","id":"doxcnI1fFasbKBWew68aywCNt5a"},{"type":"image","attrs":{"height":625,"note":[{"type":"text","text":"多色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/6a79bc14bd1143bbbcac2770ec9b1006","width":352},"text":"","id":"doxcnI1fFasbKBWew68aywCNt5a"},{"type":"image","attrs":{"height":619,"note":[{"type":"text","text":"多色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/7cd53544084948caab5f0f2ba52d1182","width":346},"text":"","id":"doxcn5ubPGMMxBjLs8aLEsgafMg"}],"text":"","id":"doxcnIU1CNbqpLoXN5SWJDbsSHi"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"类色和类似色","id":""}],"text":"","id":"doxcnIU1CNbqpLoXN5SWJDbsSHi"},{"type":"paragraph","children":[{"type":"text","text":"同类色与类似色看似相像，其实完全不同。","id":""}],"text":"","id":"doxcnqCKk6OQ8LmgMvMz3qaf9af"},{"type":"paragraph","children":[{"type":"text","text":"同类色就是其本来面貌都是相同的，只不过由于渐次加入黑、白、灰，形成了深浅不同的色彩。比如黄色就有浅黄、黄、中黄、深黄等，红色有粉红、红、大红、深红等，这些色彩都被冠之以同类色。同类色是最单纯、最朴实的色彩关系，在服装的色彩搭配中，利用其深浅明暗的变化进行组合，能够产生协调效果。当你选色没有把握时，可优先考虑这类色彩。","id":""}],"text":"","id":"doxcnEnUGejpGmJVoQiwKB1xaUd"},{"type":"image","attrs":{"height":638,"note":[{"type":"text","text":"类色和类似色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/75feb96cccaf430f96dd36ada299d677","width":554},"text":"","id":"doxcnsqwFFi6fcwsRF8APknoW6g"},{"type":"paragraph","children":[{"type":"text","text":"色彩相貌相似的色彩被称为是类似色，好比双胞胎兄弟，不过是一种色彩，由于各自含有不同的色彩成分而产生了变化。比如红色，分别掺入适量的黄色和橘色，就形成橘黄色和橘红色，这两种色彩就是类似色，它们分别含有红色这个“基因”。其他如黄与绿、青与绿、青与紫都是类似色。","id":""}],"text":"","id":"doxcnYfrvdeV2OUgrXF96J7vJ3d"},{"type":"paragraph","children":[{"type":"text","text":"类似色的搭配效果是很柔和的，它没有强烈的对比味，所以极易搭配并很协调。","id":""}],"text":"","id":"doxcn93I8ECKhZAVVnfDgdca8Vt"},{"type":"image","attrs":{"height":628,"note":[{"type":"text","text":"类色和类似色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/a198d00c0d954d35bebc9f5a848da25b","width":554},"text":"","id":"doxcngK43p0cFYqx6Sxun4WZ3zd"},{"type":"paragraph","children":[{"type":"text","text":" ","id":""}],"text":"","id":"doxcntmtYVJGy3yI6xigSUNdsGO"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"着装技巧","id":""}],"text":"","id":"doxcnDp3QJF0S7gLNepSQ4BPm5d"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"身","id":""},{"type":"text","text":"型扬长避短","id":""}],"text":"","id":"doxcnhY5EN8KaKNYczYdhDp19Ed"},{"type":"paragraph","children":[{"type":"text","text":"根据身型特点选择款式，扬长避短也是搭配很重要的作用哦。不用减肥也能有显瘦显高。","id":""}],"text":"","id":"doxcnC2XPiBVRzRHycgd5FOWxYd"},{"type":"paragraph","children":[{"type":"text","text":"T型身材","id":""}],"text":"","id":"doxcntCxb1LSyVv2iyFXgfT3VUg"},{"type":"paragraph","children":[{"type":"text","text":" 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","id":""}],"text":"","id":"doxcnHDSPk9cec4feQjwHsRXE7A"},{"type":"image","attrs":{"height":369,"note":[{"type":"text","text":"款式的搭配","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/33050c5a613a495c94c23f277bfb5cea","width":554},"text":"","id":"doxcnS6JBDu4gPzxbNgX7HAHXhb"},{"type":"paragraph","children":[{"type":"text","text":"风衣+牛仔裤","id":""}],"text":"","id":"doxcn0wn9cefAZkQKVuI4zv5yrc"},{"type":"paragraph","children":[{"type":"text","text":"春季衣橱里一定要有一件风衣，无论是卡其色、驼色、黑色都可以，这样经典的单品怎么穿都挺有范的。风衣搭配牛仔裤，不太挑人，只要我们选择适合自己的风衣服款式就OK了。小个子女生建议选择H型的中长款风衣，不拖杳，利落简洁，显高显瘦，搭配直筒牛仔裤，简约而大气。高个子女生不妨试试廓形的长款风衣，搭配铅笔牛仔裤，走路带风的洒脱感，特别有范。","id":""}],"text":"","id":"doxcnTvi3GGxzA0wfffkub2rY8e"},{"type":"paragraph","children":[{"type":"text","text":" 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，初秋和晚秋的天气不同，所以整体搭配就会不一样。","id":""}],"text":"","id":"doxcnaCWmtVx2lrrCeYLfyIODEt"},{"type":"paragraph","children":[{"type":"text","text":"初秋不算太冷，一个衬衫外套就可以解决。","id":""}],"text":"","id":"doxcnCX9qHYiLZedakQ29sJ4sNb"},{"type":"paragraph","children":[{"type":"text","text":"晚秋偏凉，就需要穿上一些厚重的衣裳。","id":""}],"text":"","id":"doxcnnxnb3DFidIDhDQl1FSYT0c"},{"type":"imageList","children":[{"type":"image","attrs":{"height":544,"note":[{"type":"text","text":"春秋季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/ef92aa591a814152b8918ab3884c0ab4","width":544},"text":"","id":"doxcn2V1iK6YAYomBEoaIefGJmc"},{"type":"image","attrs":{"height":542,"note":[{"type":"text","text":"春秋季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/e17336a671494fc099b5de8b9be61106","width":532},"text":"","id":"doxcnXa6QUXwLEbVB9s2CWXKo7d"}],"text":"","id":"doxcnGxThxsU0wQlnmCq1NFVPsb"},{"type":"paragraph","children":[{"type":"text","text":"叠穿效果也是不错的","id":""}],"text":"","id":"doxcnGxThxsU0wQlnmCq1NFVPsb"},{"type":"image","attrs":{"height":381,"note":[{"type":"text","text":"春秋季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/14a5cc5dc8634af1ad531f7e2f645e6c","width":659},"text":"","id":"doxcnkJ9FfGEEx9ChfPQmYJNQyd"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"还有一种穿搭技巧是“上长下短”","id":""}],"text":"","id":"doxcnJPjahvtQLbTFfUnKnAMJNR"},{"type":"paragraph","children":[{"type":"text","text":"这种穿法适合初秋和春天，不仅不会显得过于「浮夸」，也更容易突出男生的「T型」身材，在视觉上更显挺拔，有活力。","id":""}],"text":"","id":"doxcnRzGHl5ibItMsOawZnGgw1g"},{"type":"image","attrs":{"height":333,"note":[{"type":"text","text":"春秋季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/61fd9301f72f4ae4995ed546581086b1","width":657},"text":"","id":"doxcn9re0wycbS4fQWGbZu3nA8b"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"冬季","id":""}],"text":"","id":"doxcnBp0efzQvi6wN1IQNK9IRah"},{"type":"paragraph","children":[{"type":"text","text":"冬天男生该怎么穿，才能兼顾风度和温度呢?对于男生来说，冬天最想买的衣服想必就是大衣了，既保暖，又很有风度，搭配一件百搭的白色针织衫，再搭配一条牛仔裤，时尚又帅气。","id":""}],"text":"","id":"doxcnm5MXKjCvW0NeCORVgqkIBf"},{"type":"image","attrs":{"height":459,"note":[{"type":"text","text":"冬季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/103de0d8b8e7414db7624d85cb0f66fc","width":595},"text":"","id":"doxcnO6zia3SZgiiH24z5FluaNb"},{"type":"paragraph","children":[{"type":"text","text":"冬天穿羽绒服是最暖和的，那些呢子外套、加厚棉衣也都没有羽绒服暖和。北方的冬天可不要小看，就算那些再喜欢讲究风度、不讲究温度的男生和女生，恐怕也要入手买一件羽绒服。外面穿着一件羽绒服，里面穿一件不太厚的毛衣或者衬衣，下面配上一条工装裤，即看不出臃肿也显得时尚！心动不如行动，没有买羽绒服的就抓紧吧！","id":""}],"text":"","id":"doxcnbosGA0xTupnwtQr8eJQZFh"},{"type":"image","attrs":{"height":622,"note":[{"type":"text","text":"冬季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/a87cc4abc00d4a82a9717733dd6272c9","width":500},"text":"","id":"doxcnIKTuhupvcnn6fACLYDKYuh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"夏季","id":""}],"text":"","id":"doxcnoVB7ae67HtJvCW0D03g8Fg"},{"type":"paragraph","children":[{"type":"text","text":"男生夏季穿搭可以选择衬衣加短裤，另外条纹的polo衫显瘦能遮掩些身材的缺点，对于矮个子的男生则要注意上下装对比不要太悬殊。","id":""}],"text":"","id":"doxcnjoVqPk6Qctsm89bnztPZXd"},{"type":"paragraph","children":[{"type":"text","text":"衬衣是许多男士衣橱的必备穿搭单品。西装衬衫是再经典不过的穿搭，其实衬衣也可不搭配西装裤而选择搭配短裤，搭配短裤会让男生更显成熟。如果不喜欢简单单调的白衬衣可以选择花衬衣或者是白色衬衣当中带点图案的衬衣，这样的衬衣就比较有个性，而且穿起来会更加的年轻不死板。","id":""}],"text":"","id":"doxcnAcHxLY6ucCl8OQmlhX4JTd"},{"type":"image","attrs":{"height":532,"note":[{"type":"text","text":"夏季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/cc5ca0cbe74643e682197b8c6d45f56e","width":383},"text":"","id":"doxcn4URMVpNPrmMKxOUWXsVHLb"},{"type":"paragraph","children":[{"type":"text","text":" ","id":""}],"text":"","id":"doxcnAMcOlP9YijqRjQ1o3jr1HS"},{"type":"imageList","children":[{"type":"image","attrs":{"height":473,"note":[{"type":"text","text":"夏季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/5349e941e3d645be99c9b14ef95fbc52","width":612},"text":"","id":"doxcngZIn0Oa2QTTKtDC27aNhiT"},{"type":"image","attrs":{"height":400,"note":[{"type":"text","text":"夏季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/cef200b04f86480f9a8edeefbea594ab","width":320},"text":"","id":"doxcnQFOEX6vgbZZaCQ89mJZ5Dh"}],"text":"","id":"doxcn6sQrCByWD6l1ssKea8OD5b"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"着装配色","id":""}],"text":"","id":"doxcn6sQrCByWD6l1ssKea8OD5b"},{"type":"paragraph","children":[{"type":"text","text":"为什么同一件衣服别人穿很好看，你穿却差点感觉，那可能是你颜色没搭对。搭对颜色可以让你穿衣事半功倍。","id":""}],"text":"","id":"doxcn3pqPmLjNlnWonVZcykrLod"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"颜色呼应原则","id":""}],"text":"","id":"doxcnisnyw9NoSJrpBCKFX70XId"},{"type":"paragraph","children":[{"type":"text","text":"衣服配饰不呼应，分区明显不呼应。任选两区同色系，颜色呼应更帅气。","id":""}],"text":"","id":"doxcnUFOflBApjA6kSjF3SYftpX"},{"type":"image","attrs":{"height":1280,"note":[{"type":"text","text":"颜色呼应原则","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/150d1d64dc26489f90c0858e7a43524a","width":1280},"text":"","id":"doxcnlVUBSDoOdT6j1yoPgbQ6Xm"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"同色过渡原则","id":""}],"text":"","id":"doxcnTQscJPOXgzBXFaLJJpezeh"},{"type":"paragraph","children":[{"type":"text","text":"衣服裤子相同色，层次单一很失策。加件打底漏下摆，颜色过渡很出彩。","id":""}],"text":"","id":"doxcn5PIxxBNWc1qaxQFakrCqIh"},{"type":"image","attrs":{"height":1280,"note":[{"type":"text","text":"同色过渡原则","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/8978fb7938e64d7698763aae862a1420","width":1280},"text":"","id":"doxcnoWdELzZMlUC8hTMjOFRUqb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"不超三色原则","id":""}],"text":"","id":"doxcnHfwjI6iXLiex7wdZFjNDqd"},{"type":"paragraph","children":[{"type":"text","text":"衣服杂乱配色多，不好看是你的锅。颜色不要超3种，穿搭这块你最懂。","id":""}],"text":"","id":"doxcnlVyoqPFVOuES3LPebSZGQc"},{"type":"image","attrs":{"height":1280,"note":[{"type":"text","text":"不超三色原则","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/be4a58184e5540be9c6eb0b4202f43cb","width":1280},"text":"","id":"doxcnSvSePf864m2MrD0jdCMjYH"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"doxcn3mAriKHW1a1fPhT7uFvi6b"}]%3C%2Fhowto_content%3E